Material Economy, Spiritual Economy, and Social Critique in Everyman
Elizabeth Harper and Britt Mize

‘things like truths, well feigned’: Mimesis and Secrecy in Jonson’s Epicoene
Reuben Sanchez

The Death of Representation and the Representation of Death: Ionesco, Beckett, and Stoppard
Zoran Milutinović

Wales: Records of Early Drama, edited by David N. Klausner
John J. McGavin

The Name and Nature of Tragicomedy, by Verna A. Foster
Robert Henke

The Masks of Anthony and Cleopatra, by Marvin Rosenberg
Robert A. Logan

Textual Patronage in English Drama, 1570-1640, by David M. Bergeron
Michael G. Brennan

The Provincetown Players and the Culture of Modernity, by Brenda Murphy
Cheryl Black

Shakespeare and Chekhov in Production and Reception: Theatrical Events and their Audiences, by John Tulloch
Gretchen E. Minton

Performing Early Modern Trauma from Shakespeare to Milton, by Thomas P. Anderson
Andrew Escobedo

Theater and Incarnation, by Max Harris
Pamela M. King

Bertolt Brecht's Dramatic Theory, by John J. White
Carl Weber

Spectacle and Public Performance in the Late Middle Ages and the Renaissance, edited by Robert E. Stillman

A Boal Companion: Dialogues on Theatre and Cultural Politics, by Jan Cohen-Cruz and Mady Schutzman

Approaches to Teaching: Early Modern Spanish Drama, edited by Laura R. Bass and Margaret R. Greer

Brian Friel's Dramatic Artistry: The Work Has Value, edited by Donald E. Morse, Csilla Bertha, and Mária Kurdi

Theatre Histories: An Introduction, edited by Phillip B. Zarrilli, Bruce McConachie, Gary Jay Williams, and Carol Fisher Sorgenfrei