“Wise Enough to Play the Fool”: Robert Armin and Shakespeare’s Sung Songs of Scripted Improvisation
Catherine Henze

After Chekhov: The Three Sisters of Beth Henley, Wendy Wasserstein, Timberlake Wertenbaker, and Blake Morrison
Verna A. Foster

“What Citadels, what turrets, and what towers”: Mapping the Tower of London in Thomas Heywood’s Lord Mayors’ Shows
Kristin Deiter

Double Exposures: On the Reciprocity of Influence between Tennessee Williams and Jean Cocteau
Laura Michiels and Christophe Collard

“I Have Done the State Some Service”: Reading Slavery in Othello through Juan Latino
Emily Weissbourd

Of Bondage: Debt, Property and Personhood in Early Modern England, by Amanda Bailey
Lorna Hutson

Shakespeare and the Book Trade, by Lukas Erne
Douglas Bruster

The Sentimental Theater of the French Revolution, by Cecilia Feilla
Yann Robert

Metatheater and Modernity: Baroque and Neobaroque, by Mary Ann Frese Witt
Tessa C. Gurney

The Poetics of Piracy: Emulating Spain in English Literature, by Barbara Fuchs
Hilaire Kallendorf

The Tears of Sovereignty: Perspectives of Power in Renaissance Drama, by Philip Lorenz
Hilaire Kallendorf

Corpus Christi Plays at York: A Context for Religious Drama, by Clifford Davidson with a contribution in collaboration with Sheila White
Hans-Jürgen Diller

The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance, by James M. Harding
Jennifer Buckley

The Modern Art of Influence and the Spectacle of Oscar Wilde, by S. I. Salamensky
Ellen Crowell

Acting Together: Performance and the Creative Transformation of Conflict. Volume I: Resistance and Reconciliation in Regions of Violence and Acting Together: Performance and the Creative Transformation of Conflict. Volume II: Building Just and Inclusive Communities, edited by Cynthia E. Cohen, Roberto Gutiérrez Varea, and Polly O. Walker
Kelly Howe