The goal is to record most books written or edited by the Department of English faculty, instructors, and students. We will start by entering the most recent publications first and work our way back to older books. There is a WMU Authors section in Waldo Library, where most of these books can be found.
With a few exceptions, we do not have the rights to put the full text of the book online, so there will be a link to a place where you can purchase the book.
If you are a faculty member and have a book you would like to include in the WMU book list, please contact firstname.lastname@example.org/
In Hitchcock's Appetites, Casey McKittrick offers the first book-length study of the relationship between Hitchcock's body size and his cinema. Whereas most critics and biographers of the great director are content to consign his large figure and larger appetite to colorful anecdotes of his private life, McKittrick argues that our understanding of Hitchcock's films, his creative process, and his artistic mind are incomplete without considering his lived experience as a fat man.
Using archival research of his publicity, script collaboration, and personal communications with his producers, in tandem with close textual readings of his films, feminist critique, and theories of embodiment, Hitchcock's Appetites produces a new and compelling profile of Hitchcock's creative life, and a fuller, more nuanced account of his auteurism.
Katherine Joslin and Daneen Wardrop
Crossings in Text and Textile explores the diverse range of transatlantic representations of clothing in nineteenth- and early twentieth-century literature. This collection of essays demonstrates that fashion history and literary history, when examined together, prompt fresh understandings of the complexities of race, class, and sexual identity. By bridging material culture and discourse, Crossings establishes the significance of fashion--while neglecting none of its aesthetic appeal--to offer historicized readings on a variety of topics, from Jane Austen's nuanced display of social interactions through the economics of muslin to the 1871 Park and Boulton cross-dressing trial and Jessie Fauset's selection of apparel to express racial power. The geographic span of textiles from different economic areas around the globe includes Asia, Africa, Europe, and North America. By making use of transatlantic texts to consider the political and social positioning of both workers and consumers, the collection further expands upon the emerging cross-disciplinary study of reading dress. A true "state of the field" work, Crossings in Text and Textiles charts new scholarly ground at the nexus between fashion, textiles, and literature, appealing to a broad interdisciplinary audience of scholars and students.
Judith A. Rypma
Once again Rypma weaves words into poetic patterns that explore everything from the forbidden fruits to the healing gems of our lives. In this latest book, Amber Notes, she also “transports us across a lifetime and around the globe,” as Atlanta Review editor Dan Veach puts it. Richard Katrovas, author of 14 books, concurs, adding that “an insect in amber is the perfect emblem for this dance.”
In a stunning cycle of persona poems, Daneen Wardrop offers us a panoramic view of the inner lives of those forgotten among the violence and strife of the American Civil War: the nurse and the woman soldier, the child and the draftee, the prostitute, the black slave, and the Native American soldier. Each one speaks out to be seen and heard, bearing witness to the mundanity of suffering experienced by those whose presence was ubiquitous yet erased in the official histories of the War Between the States. Cyclorama takes its name from the theater-sized, in-the-round oil paintings popular in the late nineteenth century, and with each poem, Wardrop adds a panel to her expansive, engrossing portrait of the bloodshed and tears, the tedium and fear experienced by the Civil War living and the dying. With pathos and lyric force, she brings sharply into focus perspectives on an unfathomable experience we thought we already knew and understood.
Ready! Aim! On command the firing squad aims at the man backed against a full-length mirror. The mirror once hung in a bedroom, but now it's cracked and propped against a Dumpster in an alley. The condemned man has refused the customary last cigarette but accepted as a hood the black slip that was carelessly tossed over a corner of the mirror's frame. The slip still smells faintly of a familiar fragrance. So begins "Tosca," the first in this vivid collection of Stuart Dybek's love stories. Operatically dramatic and intimately lyrical, grittily urban and impressionistically natural, the varied fictions in Paper Lantern all focus on the turmoil of love as only Dybek can portray it. An execution triggers the recollection of a theatrical romance; then a social worker falls for his own client; and lovers part as giddily, perhaps as hopelessly, as a kid trying to hang on to a boisterous kite. A flaming laboratory evokes a steamy midnight drive across terrain both familiar and strange, and an eerily ringing phone becomes the telltale signature of a dark betrayal. Each story is marked with contagious desire, spontaneous revelation, and, ultimately, resigned courage. As one woman whispers when she sets a notebook filled with her sketches drifting out to sea, "Someone will find you."nbsp;nbsp;nbsp;nbsp; Some of Dybek's characters recur in these stories, while others appear only briefly. Throughout, they-and we-are confronted with vaguely familiar scents and images, reminiscent of love but strangely disconcerting, so that we might wonder whether we are looking in a mirror or down the barrel of a gun. "After the ragged discharge," Dybek writes, "when the smoke has cleared, who will be left standing and who will be shattered into shards?" Paper Lantern brims with the intoxicating elixirs known to every love-struck, lovelorn heart, and it marks the magnificent return of one of America's most important fiction writers at the height of his powers.
Hiromi Ito and Jeffrey Angles
Poetry. Asian & Asian American Studies. Women's Studies. Translated from the Japanese by Jeffrey Angles. Set simultaneously in the California desert and her native Japan, tracking migrant children who may or may not be human, or alive, Hiromi Itō's WILD GRASS ON THE RIVERBANK will plunge you into dreamlike landscapes of volatile proliferation: shape-shifting mothers, living father-corpses, and pervasively odd vegetation. At once grotesque and vertiginous, Itō interweaves mythologies, language, sexuality, and place into a genre-busting narrative of what it is to be a migrant.
Remembering Nayeche and the Gray Bull Engiro: African Storytellers of the Karamoja Plateau and the Plains of Turkana
Mustafa Kemal Mirzeler
The Jie people of northern Uganda and the Turkana of northern Kenya have a genesis myth about Nayeche, a Jie woman who followed the footprints of a gray bull across the waterless plateau and who founded a "cradle land" in the plains of Turkana. In Remembering Nayeche and the Gray Bull Engiro, Mustafa Kemal Mirzeler shows how the poetic journey of Nayeche and the gray bull Engiro and their metaphorical return during the Jie harvest rituals gives rise to stories, imagery, and the articulation of ethnic and individual identities.
Since the 1990s, Mirzeler has travelled to East Africa to apprentice with storytellers. Remembering Nayeche and the Gray Bull Engiro is both an account of his experience listening to these storytellers and of how oral tradition continues to evolve in the modern world. Mirzeler's work contributes significantly to the anthropology of storytelling, the study of myth and memory, and the use of oral tradition in historical studies.
Joseph Antenucci Becherer; David S. Hooker; Larry ten Harmsel; and Frederik Meijer Gardens and Sculpture Park,
Frederik Meijer Gardens and Sculpture Park in Grand Rapids, Michigan, opened to the public in 1995, marrying an internationally acclaimed sculpture collection with beautiful green spaces. Today, this midwestern treasure is one of America's most visited cultural destinations, attracting over half a million visitors each year. "America's Garden of Art" chronicles the development and rapid growth of this innovative public garden, with stunning photography that captures the natural and man-made tableaux across all four seasons. The pictorial narrative by photographer William J. Hebert, along with essays by historian Larry Harmsell and Dr. Joseph A. Becherer, Chief Curator and Vice President, Horticulture and Sculpture Collections and Exhibitions, convey a vibrant portrait of Fred and Lena Meijer's legacy, and illustrate the layered beauty of this uniquely American institution.
Margaret Dupuis and Grace Tiffany
The impetus for this Approaches to Teaching volume on The Taming of the Shrew grew from the editors' desire to discover why a play notorious for its controversial exploration of conflicts between men and women and the challenges of marriage is enduringly popular in the classroom, in the performing arts, and in scholarship. The result is a volume that offers practical advice to teachers on editions and teaching resources in part 1, "Materials," while illuminating how the play's subtle and complex arguments regarding not just marriage but a host of other subjects--modes of early modern education, the uses of clever rhetoric, intergenerational and class politics, the power of theater--are being brought to life in college classrooms. The essays in part 2, "Approaches," are written by English and theater instructors who have taught in a variety of academic settings and cover topics including early modern homilies and music, Hollywood versions of The Taming of the Shrew, and student performances.
Staci Maree Perryman-Clark
This work reports on a qualitative teacher-research study that examines the ways in which African American and other students perform expository writing tasks using an Afrocentric ebonics-focused first-year writing curriculum. The book conceptualizes a theory of Afrocentric teacher-research that includes all students in addition to African Americans.
Eve Salisbury and James Weldon
Middle English Texts
Emilia Bassano is only a teenager when she's pitched among the poets, politicians, and painted women of the Elizabethan court. Withdrawn and pensive by nature, she devises a remarkable strategy to preserve her own solitude. At first it works. But she's soon shocked to find that, so far from truly hiding, she's attracted the gaze of every courtier and aspiring poet on the scene, including the canniest, hungriest, and strangest one of them all.
A modernist novel, describing a dystopian military in the imaginary dictatorship of Atlantis, written more than a half century ago when the author was a conscript in the army during the Cold War. As editor of the post newspaper at the Granite City Engineer Depot, Clifford Davidson was in a privileged position for observing the military mentality of the time, in particular the propensity for bullying intended to turn men into mindless killing machines. From other soldiers he was also able to hear disturbing stories at first hand about World War II and the very recent Korean War, only concluded four years earlier. Private Biegle was invented as an anti-hero to satirize those who those accepted authoritarianism as normative and patriotism as uncritical obedience. In other words, in the pages of the novel the author was exploring the very subversion of civil society by probing the implications of the master-slave dichotomy that had been introduced by Hegel and relatively recently put to good use in feminist thought by Jessica Benjamin. But the novel also deserves to be understood as an antic expression that foreshadows the media personality Stephen Colbert, who has popularized irony for so many in this century. Those who have read it have declared it "a good read."A critical introduction to the writing of this Orwellian novel and its relation to literature of the mid-twentieth century is provided by Oscar Haugen in the Afterword. The Apocalyptic Adventures of Winfed Scott Biegle is a work previously only known to a few readers, and now is available to a larger readership in the present edition.
Jay Baron Nicorvo
Jay Baron Nicorvo's debut collection revolves around a central character, called Deadbeat--a descendant of John Berryman's Mr. Bones, Marvin Bell's Dead Man and Ted Hughes's Crow, to name an irrepressible few. The poems weave together a domestic narrative as Deadbeat himself muddles through courtship, marriage, divorce, estrangement and, of course, fatherhood. An effigy for America and our culture of recession, Deadbeat is brought to life with honesty, sympathy and love in all of its complications.
What are the realities and possibilities of utilizing on-line virtual worlds as teaching tools for specific literary works? Through engaging and surprising stories from classrooms where virtual worlds are in use, this book invites readers to understand and participate in this emerging and valuable pedagogy. It examines the experience of high school and college literature teachers involved in a pioneering project to develop virtual worlds for literary study, detailing how they created, utilized, and researched different immersive and interactive virtual reality environments to support the teaching of a wide range of literary works. Readers see how students role-play as literary characters, extending and altering character conduct in purposeful ways, and how they explore on-line, interactive literature maps, museums, archives, and game worlds to analyze the impact of historical and cultural setting, language, and dialogue on literary characters and events. This book breaks exciting ground, offering insights, pedagogical suggestions, and ways for readers to consider the future of this innovative approach to teaching literary texts.
Allen Webb, David Alvarez, Blain H. Auer, Monica Mona Eraqi, Jeffrey A. Patterson, and Vivan Steemers
Providing a gateway into the real literature emerging from the Middle East, this book shows teachers how to make the topic authentic, powerful, and relevant.
Teaching the Literature of Today’s Middle East:
• Introduces teachers to this literature and how to teach it
• Brings to the reader a tremendous diversity of teachable texts and materials by Middle Eastern writers
• Takes a thematic approach that allows students to understand and engage with the region and address key issues
• Includes stories from the author’s own classroom, and shares student insight and reactions
• Utilizes contemporary teaching methods, including cultural studies, literary circles, blogs, YouTube, class speakers, and film analysis
• Directly and powerfully models how to address controversial issues in the region
Written in an open, personal, and engaging style, theoretically informed and academically smart, highly relevant across the field of literacy education, this text offers teachers and teacher-educators a much needed resource for helping students to think deeply and critically about the politics and culture of the Middle East through literary engagements.
Traces of Gold: California's Natural Resources and the Claim to Realism in Western American Literature
From Gold Rush romances to cowboy Westerns, from hard-boiled detective thrillers to nature writing, the American West has long been known mainly through hackneyed representations in popular genres. But a close look at the literary history of the West reveals a number of writers who claim that their works represent the "real" West. As Nicolas Witschi shows, writers as varied as Bret Harte, John Muir, Frank Norris, Mary Austin, and Raymond Chandler have used claims of textual realism to engage, replicate, or challenge commonly held assumptions about the West, while historically acknowledged realists like William Dean Howells and Mark Twain have often relied on genre-derived impressions about the region.
The familiar association of the West with nature and the "great outdoors" implies that life in the West affords an unambiguous relationship with an unalloyed, non-human, real nature. But through a combination of textual scholarship, genre criticism, and materialist cultural studies, Witschi complicates this notion of wide open spaces and unfettered opportunity. The West has been the primary source of raw materials for American industrial and economic expansion, especially between the California Gold Rush and World War II, and Witschi argues that the writers he examines exist within the intersections of cultural and material modes of production. Realistic depictions of Western nature, he concludes, must rely on the representation of the extraction of material resources like minerals, water, and oil.
With its forays into ecocriticism and cultural studies, Traces of Gold will appeal to students and scholars of American literature, American studies, and western history.
Bonnie Jo Campbell
Bonnie Jo Campbell has created an unforgettable heroine in sixteen-year-old Margo Crane, a beauty whose unflinching gaze and uncanny ability with a rifle have not made her life any easier. After the violent death of her father, in which she is complicit, Margo takes to the Stark River in her boat, with only a few supplies and a biography of Annie Oakley, in search of her vanished mother. But the river, Margo's childhood paradise, is a dangerous place for a young woman traveling alone, and she must be strong to survive, using her knowledge of the natural world and her ability to look unsparingly into the hearts of those around her. Her river odyssey through rural Michigan becomes a defining journey, one that leads her beyond self-preservation and to the decision of what price she is willing to pay for her choices.
A broomstick horse, clay marbles, WWII tin fighter plane, Cold War dollhouse with bomb shelter, "all the toys are vanishing," says Nancy Eimers in Oz, her fourth collection of poetry. These poems offer a paradoxical, moving elegy of things we left--or that left us--behind, not just the toys that grow obsolete, but a lost cat, a name, a monarch wing, a melting glacier, all the children at Terezin--an "immensity" that "recedes so incrementally we can't-- / we just can't / put a human face on it." Eimers looks closely at what we lose and how we let go of it, sorrowfully or with secret relief, or some irresoluble hope of recovery.
A Los Angeles Times Best Book or the Year
National Book Award Winner Jaimy Gordon’s bold and daring coming of age novel combines the teenaged angst of Catcher in the Rye with the humor and tragedy of Girl, Interrupted.
Ursie Koderer knows herself to be a monster--doomed to be different from other girls--very different. When she’s discovered cutting herself at camp, she goes AWOL, and lands in a Baltimore psychiatric hospital. Ursie, now known as the Bogeywoman, joins up with the other misfits on the adolescent ward. They start a bughouse rock group, steal a nitrous oxide machine. As a mental patient Ursie is a success. But then she’s implicated in the accidental burning of a friend. Locked away, the Bogeywoman meets the beautiful, mysterious Doctor Zuk, a woman psychiatrist from somewhere east of the Urals. Their affair is the main event in this gorgeous novel of love, crime, liberation, and flight to something like a new world.
Janet Ruth Heller
A poetry chapbook.
Culled from six previous collections, Scorpio Rising: Selected Poems, is the culmination of a thirty-five-year career. Katrovas's early poems reflect a harrowing childhood on the highways of America as his parents fled the FBI. They also probe the gas-lit backstreets of New Orleans's French Quarter where "the protean human heart/is nature's crime against us." Witness to Prague's Velvet Revolution while on a Fulbright Fellowship, Katrovas in his later poems meditates upon his own American identity as he raises bi-cultural, bilingual daughters. Katrovas's formal verse has an edge we do not usually associate with traditionally formal poetry. Understanding that all gendered identity is a construction, Katrovas explores, as few lyric poets have, the linguistic and emotional contours of "masculinity."
In her debut collection, Melinda Moustakis brings to life a rough-and-tumble family of Alaskan homesteaders through a series of linked stories. Born in Alaska herself to a family with a homesteading legacy, Moustakis examines the near-mythological accounts of the Alaskan wilderness that are her inheritance and probes the question of what it means to live up to larger-than-life expectations for toughness and survival.
The characters in Bear Down, Bear North are salt-tongued fishermen, fisherwomen, and hunters, scrappy storytellers who put themselves in the path of destruction--sometimes a harsh snowstorm, sometimes each other--and live to tell the tale. While backtrolling for kings on the Kenai River or filleting the catch of the Halibut Hellion with marvelous speed, these characters recount the gamble they took that didn't pay off, or they expound on how not only does Uncle Too-Soon need a girlfriend, the whole state of Alaska needs a girlfriend. A story like "The Mannequin at Soldotna" takes snapshots: a doctor tends to an injured fisherman, a man covets another man's green fishing lure, a girl is found in the river with a bullet in her head. Another story offers an easy moment with a difficult mother, when she reaches out to touch a breaching whale.
This is a book about taking a fishhook in the eye, about drinking cranberry lick and Jippers and smoking Big-Z cigars. This is a book about the one good joke, or the one night lit up with stars, that might get you through the winter.
The poems in Sand Theory, William Olsen’s fifth collection to date, bristle with intellect, sensitivity, and ambition. Engaging poets from William Blake to Theodore Roethke, Olsen takes aim at grand questions of spirituality, the instability of meaning, and the individual’s relationship with the natural world. Yet Olsen’s lithe and sinuous poems wear their metaphysical concerns lightly, shifting easily between the immediate perceptions of a passing moment and observations offered as if from a great distance, outside of time and space. The energy of Olsen’s poems is generated by his ability to meld the intellectual and the emotional, the abstract and the concrete, into a seamless whole while maintaining a sense of wit and playfulness. Sand Theory cements Olsen’s standing as one of the most vital poets writing today, an audacious chronicler of “the supremely open moment.”
WINNER OF THE 2010 AGNES LYNCH STARRETT POETRY PRIZE
“Glenn Shaheen is claiming new ground for American poetry. His poems are about the nightmares of information overload, collapsing infrastructure, ubiquitous violence, and other ills of late empire. The subjects are not happy, but Shaheen's clear vision and crisp-often witty-language offer the pleasures of surprise, discovery, and recognition.” -Ed Ochester