Gothic Ivory Sculpture
Sponsoring Organization(s)
Gothic Ivories Project, Courtauld Institute of Art
Organizer Name
Catherine Yvard
Organizer Affiliation
Courtauld Institute of Art
Presider Name
Sarah Guérin
Presider Affiliation
Univ. de Montréal
Paper Title 1
Morbid Beauty: New Thoughts on the Vogue for Memento Mori Themes in Ivory Carving, ca. 1500
Presenter 1 Name
Stephen Perkinson
Presenter 1 Affiliation
Bowdoin College
Paper Title 2
“Fictile Ivories”: Diffusing the Taste for and the Connoisseurship of Gothic Ivories
Presenter 2 Name
Benedetta Chiesi
Presenter 2 Affiliation
Univ. degli Studi di Firenze
Paper Title 3
Touching Ivory Online
Presenter 3 Name
Jack Hartnell
Presenter 3 Affiliation
Courtauld Institute of Art
Start Date
10-5-2014 10:00 AM
Session Location
Bernhard 210
Description
The Gothic Ivories Project at the Courtauld Institute of Art (www.gothicivories.courtauld.ac.uk) has, over the past few years, made Gothic ivory sculpture much more visible and accessible, bringing together thousands of ivory pieces from collections around the world. This session will showcase current research in the field and touch on a wide range of topics, from iconographical studies of little-known pieces to a reassessment of the meaning of late-medieval Memento Mori sculptures, from an examination of the 19th-century fashion for ivory casting to a stimulating reflexion on the impact of digitisation on the perception of these objects.
Dr Catherine Yvard, Gothic Ivories Project Manager
Gothic Ivory Sculpture
Bernhard 210
The Gothic Ivories Project at the Courtauld Institute of Art (www.gothicivories.courtauld.ac.uk) has, over the past few years, made Gothic ivory sculpture much more visible and accessible, bringing together thousands of ivory pieces from collections around the world. This session will showcase current research in the field and touch on a wide range of topics, from iconographical studies of little-known pieces to a reassessment of the meaning of late-medieval Memento Mori sculptures, from an examination of the 19th-century fashion for ivory casting to a stimulating reflexion on the impact of digitisation on the perception of these objects.
Dr Catherine Yvard, Gothic Ivories Project Manager