The Destruction and Reconstruction of Medieval Art and Architecture: Ethics and Approaches
Sponsoring Organization(s)
Special Session
Organizer Name
Elisa A. Foster
Organizer Affiliation
Paris College of Art
Presider Name
Elisa A. Foster
Paper Title 1
The Lost Relics of Aquitaine: Investigating the Void
Presenter 1 Name
April Jehan Morris
Presenter 1 Affiliation
Bowdoin College
Paper Title 2
The King’s Three Bodies: Destruction and Recreation at Notre-Dame Cathedral during the French Revolution
Presenter 2 Name
Laura E. Cochrane
Presenter 2 Affiliation
Middle Tennessee State Univ.
Paper Title 3
Exhibit A: Reconstructed Buildings in Open-Air Museums and the Search for Authenticity
Presenter 3 Name
Rebecca Dierschow
Presenter 3 Affiliation
Independent Scholar
Paper Title 4
Respondent
Presenter 4 Name
Janet T. Marquardt
Presenter 4 Affiliation
Eastern Illinois Univ.
Start Date
11-5-2014 8:30 AM
Session Location
Schneider 1330
Description
Many important medieval works of art and architecture are no longer extant as a result of iconoclasm, war, accident or purposeful refashioning. Despite their destruction, these objects continue to demand serious study in the history of medieval art. Investigating these works of art and architecture present clear challenges for scholars but they also raise important questions concerning ethics and methodologies of the study of destroyed objects. While the reconstruction efforts for partially intact structures have been widely debated entirely destroyed objects and buildings have received less critical attention. This session considers the destruction and reconstruction of medieval art and architecture by addressing both how scholars can study medieval objects that do not survive--either entirely or markedly apart from their original form---as well as the ethical issues surrounding attempts to reconstruct these works of art.
Elisa A. Foster
The Destruction and Reconstruction of Medieval Art and Architecture: Ethics and Approaches
Schneider 1330
Many important medieval works of art and architecture are no longer extant as a result of iconoclasm, war, accident or purposeful refashioning. Despite their destruction, these objects continue to demand serious study in the history of medieval art. Investigating these works of art and architecture present clear challenges for scholars but they also raise important questions concerning ethics and methodologies of the study of destroyed objects. While the reconstruction efforts for partially intact structures have been widely debated entirely destroyed objects and buildings have received less critical attention. This session considers the destruction and reconstruction of medieval art and architecture by addressing both how scholars can study medieval objects that do not survive--either entirely or markedly apart from their original form---as well as the ethical issues surrounding attempts to reconstruct these works of art.
Elisa A. Foster