Drama, Phenomenology, and Periodization
Sponsoring Organization(s)
Medieval and Renaissance Studies Program, Univ. of Pittsburgh
Organizer Name
Ryan McDermott
Organizer Affiliation
Univ. of Pittsburgh
Presider Name
Jennifer Waldron
Presider Affiliation
Univ. of Pittsburgh
Paper Title 1
Witnessing Invisibility: The Dark Phenomenality of Martyrdom
Presenter 1 Name
Beth Sutherland
Presenter 1 Affiliation
Univ. of Virginia
Paper Title 2
The Eternity Effect: Anachronism in Medieval Herod Plays
Presenter 2 Name
Helen Cushman
Presenter 2 Affiliation
Harvard Univ.
Paper Title 3
"A word may I speke, no more": The Castle of Perseverance and the Phenomenology of Dying
Presenter 3 Name
Devin Byker
Presenter 3 Affiliation
Boston Univ.
Paper Title 4
Theater of Apocalypse: Cleopatra's Doomsday
Presenter 4 Name
William Junker
Presenter 4 Affiliation
Univ. of St. Thomas, Minnesota
Paper Title 5
The Subject of Allegory: Sensation and Subjectivity on the Medieval and Early Modern Stage
Presenter 5 Name
Elizabeth Swann
Presenter 5 Affiliation
Univ. of Tennessee-Knoxville
Start Date
8-5-2014 3:30 PM
Session Location
Valley I Ackley 105
Description
This session aims to rethink narratives of cultural change across the late medieval and early modern periods by bringing together several strands of scholarship that fall under the banner of “phenomenology” but are not usually engaged in direct dialogue. Broadly speaking, those interested in historical phenomenology and in embodied cognition have had little to say to those working in the philosophy of religion, political theology, and ethics. Our objective is to bring these various approaches together in order to open up new perspectives on periodization and to reexamine early drama's role in narratives of secularization and modernization.
Ryan McDermott
Drama, Phenomenology, and Periodization
Valley I Ackley 105
This session aims to rethink narratives of cultural change across the late medieval and early modern periods by bringing together several strands of scholarship that fall under the banner of “phenomenology” but are not usually engaged in direct dialogue. Broadly speaking, those interested in historical phenomenology and in embodied cognition have had little to say to those working in the philosophy of religion, political theology, and ethics. Our objective is to bring these various approaches together in order to open up new perspectives on periodization and to reexamine early drama's role in narratives of secularization and modernization.
Ryan McDermott