Session Title

Gender, Affect, and Lyric Voice (A Roundtable)

Sponsoring Organization(s)

Dept. of English, Temple Univ.

Organizer Name

Carissa M. Harris, Sarah Baechle

Organizer Affiliation

Temple Univ., Univ. of Notre Dame

Presider Name

Carissa M. Harris

Paper Title 1

"The Noble Way You Blushed": Queering Mourning Verse in Early Irish Sagas

Presenter 1 Name

Marjorie Housley

Presenter 1 Affiliation

Univ. of Notre Dame

Paper Title 2

Audience, Understanding, and Lyric Darkness in Medieval North Atlantic Verse

Presenter 2 Name

Dan Redding-Brielmaier

Presenter 2 Affiliation

Centre for Medieval Studies, Univ. of Toronto

Paper Title 3

A Demon's Rhyming Couplets in the Alliterative Prose Seinte Margarete

Presenter 3 Name

Jenny C. Bledsoe

Presenter 3 Affiliation

Emory Univ.

Paper Title 4

Engendering Empathy: Criseyde among the Greeks

Presenter 4 Name

Sarah Baechle

Paper Title 5

Listening to Christ in the Late Medieval Lyric

Presenter 5 Name

Barbara Zimbalist

Presenter 5 Affiliation

Univ. of Texas-El Paso

Paper Title 6

Drama and Lyric Passion

Presenter 6 Name

Emma Lipton

Presenter 6 Affiliation

Univ. of Missouri-Columbia

Start Date

13-5-2016 10:00 AM

Session Location

Fetzer 1045

Description

This roundtable examines the workings of emotion, empathy, gender, inclusivity, and voice in medieval lyric, particularly focusing on formal difference, i.e. lyrics embedded in other textual forms or genres. In investigating the intersecting roles of affect, genre, corporeality, and lyric voice, this session is in conversation with recent scholarship on affect and the history of emotions, subjectivity, lyric form, and gender.

Carissa M. Harris , Sarah Baechle

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May 13th, 10:00 AM

Gender, Affect, and Lyric Voice (A Roundtable)

Fetzer 1045

This roundtable examines the workings of emotion, empathy, gender, inclusivity, and voice in medieval lyric, particularly focusing on formal difference, i.e. lyrics embedded in other textual forms or genres. In investigating the intersecting roles of affect, genre, corporeality, and lyric voice, this session is in conversation with recent scholarship on affect and the history of emotions, subjectivity, lyric form, and gender.

Carissa M. Harris , Sarah Baechle