Emotions and Performativity in Early Drama, Art, and Music
Sponsoring Organization(s)
Early Drama, Art, and Music
Organizer Name
Jesse D. Hurlbut
Organizer Affiliation
Brigham Young Univ.
Presider Name
Alexandra F. Johnston
Presider Affiliation
Records of Early English Drama
Paper Title 1
Mixed Sympathies: Thinking and Feeling about Jews in the Ludus de Antichristo
Presenter 1 Name
Caitlin Hamilton
Presenter 1 Affiliation
Univ. of Virginia
Paper Title 2
Awe and Astonishment in Medieval French Narrative
Presenter 2 Name
Evelyn Birge Vitz
Presenter 2 Affiliation
New York Univ.
Paper Title 3
Planctus Universitatis Oxoniensis and the Affective Performativity of Lamentation
Presenter 3 Name
Thomas Meacham
Presenter 3 Affiliation
Univ. of Connecticut
Paper Title 4
Everyman, the London Old Vic, and World War I
Presenter 4 Name
Pamela M. King
Presenter 4 Affiliation
Univ. of Glasgow
Start Date
14-5-2016 1:30 PM
Session Location
Fetzer 2016
Description
By Jesse D. Hurlbut
Participants in this session investigate how emotions were understood, expressed, and enacted in the cultural productions of the medieval and Renaissance periods. Topics include the actions and reactions of individuals and groups, as well as the conventions such as words, language, and art to express, describe and define perceptions of self and of the world.
Emotions and Performativity in Early Drama, Art, and Music
Fetzer 2016
By Jesse D. Hurlbut
Participants in this session investigate how emotions were understood, expressed, and enacted in the cultural productions of the medieval and Renaissance periods. Topics include the actions and reactions of individuals and groups, as well as the conventions such as words, language, and art to express, describe and define perceptions of self and of the world.