In Honor of Adelaide Bennett Hagens I: Text-Image Dynamics in Medieval Manuscripts
Sponsoring Organization(s)
Index of Christian Art, Princeton Univ.
Organizer Name
Jessica Savage, Judith Golden
Organizer Affiliation
Index of Christian Art, Princeton Univ., Index of Christian Art, Princeton Univ.
Presider Name
Judith H. Oliver
Presider Affiliation
Colgate Univ.
Paper Title 1
Artists and Autonomy: Written Instructions and Preliminary Drawings for the Illuminator in the Huntington Library Legenda aurea (HM 3027)
Presenter 1 Name
Martha Easton
Presenter 1 Affiliation
Seton Hall Univ.
Paper Title 2
Bodies of Words: Text and Image in an Illustrated Anatomical Codex (Bodleian Library, MS Ashmole 399)
Presenter 2 Name
Taylor McCall
Presenter 2 Affiliation
Univ. of Cambridge
Paper Title 3
Sealed with a Kiss: A Votive "Closing" in the Claricia Psalter (Walters MS W.26)
Presenter 3 Name
Benjamin C. Tilghman
Presenter 3 Affiliation
Lawrence Univ./Material Collective
Start Date
12-5-2017 1:30 PM
Session Location
Sangren 1750
Description
This session will examine the interaction between words and images in medieval manuscripts as they shape the reader-viewer’s experience of the book. How do texts and images interact on the page? How did medieval readers respond to the varied discourses between images and texts? This session endeavors to open up new perspectives in describing, analyzing, and contextualizing manuscript illumination according to their intrinsic or peripheral textual elements. Papers in this session will undertake a close study of a particular manuscript and will expand upon theories for image-text composition by reviewing evidence of an artist’s written instructions; reading images with layered text additions, omissions or annotations; and recovering the reader’s experience through text and iconography.
Jessica L. Savage
In Honor of Adelaide Bennett Hagens I: Text-Image Dynamics in Medieval Manuscripts
Sangren 1750
This session will examine the interaction between words and images in medieval manuscripts as they shape the reader-viewer’s experience of the book. How do texts and images interact on the page? How did medieval readers respond to the varied discourses between images and texts? This session endeavors to open up new perspectives in describing, analyzing, and contextualizing manuscript illumination according to their intrinsic or peripheral textual elements. Papers in this session will undertake a close study of a particular manuscript and will expand upon theories for image-text composition by reviewing evidence of an artist’s written instructions; reading images with layered text additions, omissions or annotations; and recovering the reader’s experience through text and iconography.
Jessica L. Savage