Session Title

Art and Liturgical Performance in Medieval and Early Modern Nunneries

Sponsoring Organization(s)

Société d'Études Interdisciplinaires sur les Femmes au Moyen Âge et à la Renaissance (SEIFMAR)

Organizer Name

Mercedes Pérez Vidal

Organizer Affiliation

Univ. degli Studi di Padova

Presider Name

Fiona J. Griffiths

Presider Affiliation

Stanford Univ.

Paper Title 1

Praying in Catalan Clarissan Monasteries: Books and Regulations on Liturgy and Devotion (Thirteenth-Sixteenth Century)

Presenter 1 Name

Araceli Rosillo-Luque

Presenter 1 Affiliation

Arxiu-Biblioteca dels Franciscans de Catalunya

Paper Title 2

Recovering the Liturgical Books and _Disjecta Membra_ from the Dominican Nunneries Northern Italy

Presenter 2 Name

Mercedes Pérez Vidal

Start Date

13-5-2017 10:00 AM

Session Location

Schneider 1330

Description

Although in the last two decades there has been an efflorescence of monastic studies on female monasticism, partly overcoming the previous lacunae, some issues still deserve further attention.

This is the case of liturgy, a field in which scarce research has been done heretofore, mainly by musicologists, liturgists or art historians specialized in illuminated manuscripts. Furthermore, scholarship to date has been focused on some territories and chronologies, with some notable exceptions that have opened new ways. A third problem has been the lack of a gender approach in this field. However, as a few inspiring studies have pointed out, gender shaped the liturgical practices of women in the same way as other aspects of monastic life. Finally, only few studies have analysed the liturgical performance in relation to monastic spaces, paintings, liturgical objects and furniture, as well as other artifacts.

This session aims to bring together scholars from different disciplinary backgrounds—historians, art historians, musicologists, liturgists— working on liturgical sources coming from nunneries, on liturgical performance, as well as on the functionality of monastic art and architecture.

We will cover a broad chronological span encompassing the Middle Ages and the Early Modern Period, as this will allow us to consider the evolution and changes in liturgical performance and the consequences of all this in art and architecture. We will also cut across monastic orders, taking into account their peculiarities but studying them in the broader context of female monasticism. Finally, we will take into account case studies from different geographical areas (including not only Europe but also Latin America), to boost comparative analysis.

We hope to address the aforementioned gaps in current research in order to :

  1. Study of the different types of sources regarding liturgy: prescriptive sources (monastic rules, constitutions and regulations from the Orders, etc) and documents of practice (musical codices, visitation records, inventories, letters, etc). By comparing them, we will analyse regional peculiarities, transgressions, etc.
  2. Analyse of specific liturgical sources: their production meaning, function, whereabouts etc, specially putting them in relation to their monastic and cultural context.
  3. Highlight the role played by enclosure in the shaping of liturgical and paraliturgical practices inside nunneries.
  4. On the contrary, draw attention to the definition of a sacral topography through liturgical performance outside the nunneries.

Define the role of images, liturgical objects, books, and other artifacts of material culture, as well as architectural spaces in liturgical performance

Mercedes Pérez Vidal

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May 13th, 10:00 AM

Art and Liturgical Performance in Medieval and Early Modern Nunneries

Schneider 1330

Although in the last two decades there has been an efflorescence of monastic studies on female monasticism, partly overcoming the previous lacunae, some issues still deserve further attention.

This is the case of liturgy, a field in which scarce research has been done heretofore, mainly by musicologists, liturgists or art historians specialized in illuminated manuscripts. Furthermore, scholarship to date has been focused on some territories and chronologies, with some notable exceptions that have opened new ways. A third problem has been the lack of a gender approach in this field. However, as a few inspiring studies have pointed out, gender shaped the liturgical practices of women in the same way as other aspects of monastic life. Finally, only few studies have analysed the liturgical performance in relation to monastic spaces, paintings, liturgical objects and furniture, as well as other artifacts.

This session aims to bring together scholars from different disciplinary backgrounds—historians, art historians, musicologists, liturgists— working on liturgical sources coming from nunneries, on liturgical performance, as well as on the functionality of monastic art and architecture.

We will cover a broad chronological span encompassing the Middle Ages and the Early Modern Period, as this will allow us to consider the evolution and changes in liturgical performance and the consequences of all this in art and architecture. We will also cut across monastic orders, taking into account their peculiarities but studying them in the broader context of female monasticism. Finally, we will take into account case studies from different geographical areas (including not only Europe but also Latin America), to boost comparative analysis.

We hope to address the aforementioned gaps in current research in order to :

  1. Study of the different types of sources regarding liturgy: prescriptive sources (monastic rules, constitutions and regulations from the Orders, etc) and documents of practice (musical codices, visitation records, inventories, letters, etc). By comparing them, we will analyse regional peculiarities, transgressions, etc.
  2. Analyse of specific liturgical sources: their production meaning, function, whereabouts etc, specially putting them in relation to their monastic and cultural context.
  3. Highlight the role played by enclosure in the shaping of liturgical and paraliturgical practices inside nunneries.
  4. On the contrary, draw attention to the definition of a sacral topography through liturgical performance outside the nunneries.

Define the role of images, liturgical objects, books, and other artifacts of material culture, as well as architectural spaces in liturgical performance

Mercedes Pérez Vidal