C. S. Lewis and the Middle Ages II: Lewis and Eros (In Memory of Joy Davidman)
Sponsoring Organization(s)
Center for the Study of C. S. Lewis and Friends, Taylor Univ.
Organizer Name
Joe Ricke
Organizer Affiliation
Taylor Univ.
Presider Name
Robert Moore-Jumonville
Presider Affiliation
Spring Arbor Univ.
Paper Title 1
Divine Eros: Julian's Revelations of Divine Love and The Great Divorce
Presenter 1 Name
Corey Latta
Presenter 1 Affiliation
Christ United Methodist Church
Paper Title 2
Eros in Lewis's Till We Have Faces
Presenter 2 Name
Laura Smit
Presenter 2 Affiliation
Calvin College
Start Date
11-5-2017 3:30 PM
Session Location
Valley II LeFevre 201
Description
This session features paper which look closely at C. S. Lewis's attitudes towards and use of the concept of "Eros" in his writings--scholarly, popular theology, and creative. Whether the erotic side of mystical theology (as in Dame Julian), the somewhat subtle erotic dimension of The Chronicles of Narnia or the more famous characterization of Eros himself in Till We Have Faces, Lewis was fascinated, troubled, and inspired by this powerful reality of human life. The session is dedicated to the memory of Joy Davidman (d. 1957), whose love Lewis celebrated especially in A Grief Observed and is evident everywhere in his later works.
Joe M. Ricke
C. S. Lewis and the Middle Ages II: Lewis and Eros (In Memory of Joy Davidman)
Valley II LeFevre 201
This session features paper which look closely at C. S. Lewis's attitudes towards and use of the concept of "Eros" in his writings--scholarly, popular theology, and creative. Whether the erotic side of mystical theology (as in Dame Julian), the somewhat subtle erotic dimension of The Chronicles of Narnia or the more famous characterization of Eros himself in Till We Have Faces, Lewis was fascinated, troubled, and inspired by this powerful reality of human life. The session is dedicated to the memory of Joy Davidman (d. 1957), whose love Lewis celebrated especially in A Grief Observed and is evident everywhere in his later works.
Joe M. Ricke