Session Title

Digital Editing / Digital Archiving I: (Mostly) Theories and Methods

Sponsoring Organization(s)

Digital Philology: A Journal of Medieval Cultures

Organizer Name

Albert Lloret

Organizer Affiliation

Univ. of Massachusetts-Amherst

Presider Name

Jeanette Patterson

Presider Affiliation

Binghamton Univ.

Paper Title 1

Nothing New Under the Sun: Textual Scholarship and Digital Editing

Presenter 1 Name

Barbara Bordalejo

Presenter 1 Affiliation

KU Leuven

Paper Title 2

Digital Editions Are Revolutionary

Presenter 2 Name

Peter Robinson

Presenter 2 Affiliation

Univ. of Saskatchewan

Paper Title 3

Digital Scholarly Editing and Text Reconstruction: Theoretical Perspectives and Practical Approaches

Presenter 3 Name

Anna Cappellotto

Presenter 3 Affiliation

Univ. di Verona

Paper Title 4

Variation and Digital Editions

Presenter 4 Name

Gustavo Fernández Riva (Congress Travel Award Winner)

Presenter 4 Affiliation

Univ. de Buenos Aires

Start Date

11-5-2018 1:30 PM

Session Location

Sangren 1730

Description

The prevalent use of digital tools and online environments to edit medieval texts is resulting in a myriad of projects in which unique solutions are deployed to offer optimal representations of very different textual objects. Single manuscripts, library collections, authorial corpora, and works preserved in several witnesses, for instance, all beg for different editorial and archival approaches. The possibilities for study and representation, in addition, are multiplied not only by the technologies employed or designed ad hoc for each project, but also by the scholars’ ideas on the very nature of what is being studied.

Albert Lloret

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May 11th, 1:30 PM

Digital Editing / Digital Archiving I: (Mostly) Theories and Methods

Sangren 1730

The prevalent use of digital tools and online environments to edit medieval texts is resulting in a myriad of projects in which unique solutions are deployed to offer optimal representations of very different textual objects. Single manuscripts, library collections, authorial corpora, and works preserved in several witnesses, for instance, all beg for different editorial and archival approaches. The possibilities for study and representation, in addition, are multiplied not only by the technologies employed or designed ad hoc for each project, but also by the scholars’ ideas on the very nature of what is being studied.

Albert Lloret