Session Title

Mary on the Move: Marian Iconography in Late Medieval France

Sponsoring Organization(s)

Special Session

Organizer Name

Andrea-Bianka Znorovszky

Organizer Affiliation

Univ. Ca' Foscari Venezia

Presider Name

Christopher Mielke

Presider Affiliation

Beverly Heritage Center

Paper Title 1

The Madonna and the Burning Bush or the Embers of a Marian Iconography

Presenter 1 Name

Fiammetta Campagnoli

Presenter 1 Affiliation

Univ. de Paris 1-Pantheon Sorbonne

Paper Title 2

The Heavenly "Queen of Flowers": Some Aspects of Marian Religious Imagery in Late Medieval Europe and Its Related Iconographical Formulas

Presenter 2 Name

Yoanna Planchette

Presenter 2 Affiliation

Bibliothèque nationale de France

Paper Title 3

An Immaculate Phenomenon: The Dissemination of the Virgin with Fifteen Symbols Iconography

Presenter 3 Name

Charlotte Wytema

Presenter 3 Affiliation

Courtauld Institute of Art

Paper Title 4

The Presentation to the Temple in Illuminations and Frescoes of Late Medieval France

Presenter 4 Name

Andrea-Bianka Znorovszky

Start Date

9-5-2020 10:00 AM

Session Location

Schneider 1145

Description

The proposed session concentrates on Marian iconography of the Late Middle Ages, with particular emphasis on fourteenth to sixteenth century. It focuses on the movement of iconographies in/from/towards France by highlighting connections and influences pertaining to Italia and/or English geographical areas. Furthermore, it situates Marian visual depictions in the context of the development of Marian devotion (rise in her cult and liturgical feasts) and specific theological debates (Immaculate Conception).

ANdrea-Bianka Znorovszky

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May 9th, 10:00 AM

Mary on the Move: Marian Iconography in Late Medieval France

Schneider 1145

The proposed session concentrates on Marian iconography of the Late Middle Ages, with particular emphasis on fourteenth to sixteenth century. It focuses on the movement of iconographies in/from/towards France by highlighting connections and influences pertaining to Italia and/or English geographical areas. Furthermore, it situates Marian visual depictions in the context of the development of Marian devotion (rise in her cult and liturgical feasts) and specific theological debates (Immaculate Conception).

ANdrea-Bianka Znorovszky