• Home
  • Search
  • Browse Collections
  • My Account
  • About
  • DC Network Digital Commons Network™
Skip to main content

Comparative Drama

  • ScholarWorks
  • About
  • FAQ
  • My Account
ScholarWorks@WMU
  •  
  •  

ScholarWorks > Arts & Sciences > English > COMPDR > Vol. 22 (2020) > Iss. 3

 

Volume 22, Issue 3 (2020) Fall

Articles

 

Point of View in Drama: Diegetic Monologue, Unreliable Narrators, and the Author's Voice on Stage
Brian Richardson

 

Lucan and the Self-Incised Voids of Julius Caesar
Clifford J. Ronan

 

Defining the South English Legendary as a Form of Drama: The Relationship between Theory and Praxis
Karen Bjelland

 

'Shut Up!' 'Be Quiet!' 'Hush!' Talk and Its Suppression in Three Plays by Tennessee Williams
Thomas F. Van Laan

Book Reviews

 

Harold Pinter: Critical Approaches, edited by Steven H. Gale
Hersh Zeifman

 

Shakespeare's Tragedies: An Introduction, by Dieter Mehl
Michael Shapiro

 

Renaissance Drama, edited by Leonard Barkan
Rolf Soellner

 

Essays on Modern American Drama: Williams, Miller, Albee, and Shepard, edited by Dorthy Parker
Brenda Murphy

 

Shakespeare and the Uses of Comedy, by J. A. Bryant, Jr.
William M. Jones

 

Americans in the Arts, 1890-1920, by James Gibbons Huneker
Philip J. Egan

 

Critical Essays on Henrik Ibsen, edited by Charles R. Lyons
Michael Hinden

 

Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theatre, 1576-1980, by Wendy Griswold
Arthur W. Bloom

 

"As Ever, Gene": The Letters of Eugene O'Neill to George Jean Nathan, edited by Nancy L. Roberts and Arthur W. Roberts
Thomas P. Adler

 

Opera and the Uses of Language: Mozart, Verdi, and Britten, by Sandra Corse
John P. Frayne

 
 
 
  • Journal Home
  • What's New
  • Aims & Scope
  • Advisory Board
  • Submission Guidelines
  • Contact the Editors
  • Most Popular Papers
  • Receive Email Notices or RSS

 

Advanced Search

ISSN: 0010-4078

 
 
Elsevier - Digital Commons

Home | About | FAQ | My Account | Accessibility Statement

Privacy Copyright