• Home
  • Search
  • Browse Collections
  • My Account
  • About
  • DC Network Digital Commons Network™
Skip to main content

Comparative Drama

  • ScholarWorks
  • About
  • FAQ
  • My Account
ScholarWorks@WMU
  •  
  •  

ScholarWorks > Arts & Sciences > English > COMPDR > Vol. 34 (2000) > Iss. 1

 

Volume 34, Issue 1 (2000) Spring

Articles

 

How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher
Catherine A. Henze

 

Race and the Yankee: Woodworth's The Forest Rose
Jeffrey H. Richards

 

Backbiter and the Rhetoric of Detraction
Douglas W. Hayes

 

Marlowe's Travesty of Virgil: Dido and Elizabethan Dreams of Empire
Donald Stump

Book Reviews

 

Recycling the Cycle: The City of Chester an Its Whitsun Plays, by David Mills
Lawrence M. Clopper

 

Shakespeare's Monarchies: Ruler and Subject in the Romances, by Constance Jordan
Christy Desmet

 

Three Uses of the Knife: On the Nature and Purpose of Drama, by David Mamet
Richard W. Mitchell

 

The Medieval Theater of Cruelty: Rhetoric, Memory, Violence, by Jody Enders
Leanne Groeneveld

 

Marlowe's Counterfeit Profession: Ovid, Spenser, Counter-Nationhood, by Patrick Cheney
Grace Tiffany

 

Music in the English Courtly Masque, 1604-1640, by Peter Walls
Kathryn Lowerre

 
 
 
  • Journal Home
  • What's New
  • Aims & Scope
  • Advisory Board
  • Submission Guidelines
  • Contact the Editors
  • Most Popular Papers
  • Receive Email Notices or RSS

 

Advanced Search

ISSN: 0010-4078

 
 
Elsevier - Digital Commons

Home | About | FAQ | My Account | Accessibility Statement

Privacy Copyright