Thomas Heywood's The Royall King, and the Loyall Subject and the Fall of Robert Devereux, Second Earl of Essex
Kevin Lindberg

"Bodied Forth": Spectator, Stage, and Actor in the Early Modern Theater
Jennifer A. Low

Jonson's Volpone and Dante
Christopher Baker and Richard Harp

"In Better Places": Space, Identity, and Alienation in Sarah Kane's Blasted
Christopher Wixson

Oxford: Records of Early English Drama, edited by John R. Elliot, Jr., Alan H. Nelson, Alexandra F. Johnston, and Diana Wyatt
Mark C. Pilkinton

Holy Estates: Marriage and Monarchy in Shakespeare and his Contemporaries, by Sid Ray
Amy L. Smith

The Idea of the Theatre in Latin Christian Thought: Augustine to the Fourteenth Century, by Donnalee Dox
Michael M. Chemers

The Theatre of Suzuki Tadashi, by Ian Carruthers and Takahashi Yasunari
Loren Edelson

Contemporary Black and Asian Women Playwrights in Britain, by Gabrielle Griffin
Sara Freeman

Richard Brome: Place and Politics on the Caroline Stage, by Matthew Steggle
Matthew C. Hansen

Shakespeare Minus 'Theory,' by Tom McAlindon
Richard Harp

The Preaching Fox: Festive Subversion in the Plays of the Wakefield Master, by Warren Edminster
Liam Purdon

Kurt Weill on Stage: From Berlin to Broadway, by Foster Hirsch

The Women of Provincetown, 1915-1922, by Cheryl Black

Gender, Theatre, and the Origins of Criticism: From Dryden to Manley, by Marcie Frank

Technology in American Drama, 1920-1950: Soul and Society in the Age of the Machine, by Dennis G. Jerz

The Drama of Fallen France: Reading la Comédie sans Tickets, by Kenneth Krauss

Reading for the Stage: Calderón and His Contemporaries, by Isaac Benabu

Theatre in Europe: A Documentary History: Romantic and Revolutionary Theatre, 1798-1860, edited by Donald Roy