Roman World, Egyptian Earth: Cognitive Difference and Empire in Shakespeare’s Antony and Cleopatra
Mary Thomas Crane

From Saint Genesius to Kean: Actors, Martyrs, and Metatheater
Mary Ann Frese Witt

Dumb Reading: The Noise of the Mute in Jonson’s Epicene
Adrian Curtin

The Scriblerian Stage and Page: Three Hours After Marriage, Pope’s “Minor” Poems, and the Problem of Genre-History
Katherine Mannheimer

“Whom seek ye, sirs?”: The Logic of Searching in the York Herod and the Magi
Nicole R. Rice

Urban Theatre in the Low Countries: 1400–1625, edited by Elsa Strietman and Peter Happé
M. M. Browne

Brecht at the Opera, by Joy H. Calico
Michael Ewans

Laughing Matters: Farce and the Making of Absolutism in France, by Sara Beam
Aurélie Capron

Theatre Censorship: From Walpole to Wilson, by David Thomas, David Carlton, and Anne Etienne
Robert Justin Goldstein

Generating Theatre Meaning: A Theory and Methodology of Performance Analysis, by Eli Rozik
Erika Fischer-Lichte

The Staging of Romance in Late Shakespeare: Text and Theatrical Technique, Christopher Cobb
Tom Bishop

Everyman and Its Dutch Original, Elckerlijc, edited by Clifford Davidson, Martin W. Walsh, Ton J. Broos
Elsa Strietman

Shakespeare’s Practical Jokes: An Introduction to the Comic in His Works, by David Ellis
Pamela Allen Brown

Shakespeare's Family, by Kate Emery Pogue

Making the Stage: Essays on the Changing Concept of Theatre, Drama, and Performance, edited by Ann C. Hall

The Influence of Tennessee Williams: Essays on Fifteen American Playwrights, edited by Philip C. Kolin

Shakespeare's World/World Shakespeares: The Selected Proceedings of the International Shakespeare Association World Congress Brisbane, 2006, edited by Richard Fotheringham, Christa Jansohn, and R.S. White

Rethinking Tragedy, edited by Rita Felski