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ScholarWorks > Arts & Sciences > English > COMPDR > Vol. 49 (2015) > Iss. 2

 

Volume 49, Issue 2 (2015) Summer

Articles

 

“The Naked Fellow”: Performing Feral Reversion in King Lear
Julián Jiménez Heffernan

 

Law, Farce, and Counter-Kingship in the Semur Fall of Lucifer
Nicole R. Rice

 

Gender, Authenticity, and Diasporic Identities in Adebayo’s Moj of the Antarctic and Iizuka’s 36 Views
Ellen Moll

Book Reviews

 

Emulation on the Shakespearean Stage, by Vernon Guy Dickson
Marissa Greenberg

 

Dark Matter: Invisibility in Drama, Theater, and Performance, by Andrew Sofer
Fran Teague

 

Domesticating Ibsen for Italy: Enrico and Icilio Polese’s Ibsen Campaign, by Giuliano D’Amico
Patricia Gaborik

 

Caryl Churchill, by Mary Luckhurst
Verna A. Foster

 

New World Drama: The Performative Commons in the Atlantic World, 1649–1849, by Elizabeth Maddock Dillon
Meredith A. Conti

 

Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios, by Natalie Crohn Schmitt
Jenna Soleo-Shanks

 

Staging Authority in Caroline England: Prerogative, Law and Order in Drama, 1625–1642, by Jessica Dyson
Heather Hirschfeld

 

The Cambridge Introduction to Tom Stoppard, by William W. Demastes
David Kornhaber

Editor
Elizabeth Bradburn
Assistant Editor
Lofton L. Durham
Consulting Editor
Eve Salisbury
 
 
 
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ISSN: 0010-4078

 
 
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