“The Naked Fellow”: Performing Feral Reversion in King Lear
Julián Jiménez Heffernan

Law, Farce, and Counter-Kingship in the Semur Fall of Lucifer
Nicole R. Rice

Gender, Authenticity, and Diasporic Identities in Adebayo’s Moj of the Antarctic and Iizuka’s 36 Views
Ellen Moll

Emulation on the Shakespearean Stage, by Vernon Guy Dickson
Marissa Greenberg

Dark Matter: Invisibility in Drama, Theater, and Performance, by Andrew Sofer
Fran Teague

Domesticating Ibsen for Italy: Enrico and Icilio Polese’s Ibsen Campaign, by Giuliano D’Amico
Patricia Gaborik

Caryl Churchill, by Mary Luckhurst
Verna A. Foster

New World Drama: The Performative Commons in the Atlantic World, 1649–1849, by Elizabeth Maddock Dillon
Meredith A. Conti

Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios, by Natalie Crohn Schmitt
Jenna Soleo-Shanks

Staging Authority in Caroline England: Prerogative, Law and Order in Drama, 1625–1642, by Jessica Dyson
Heather Hirschfeld

The Cambridge Introduction to Tom Stoppard, by William W. Demastes
David Kornhaber