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ScholarWorks > Arts & Sciences > English > COMPDR > Vol. 56 (2022) > Iss. 1

 

Volume 56, Issue 1 (2022) London's Theatre: Places, Communities, Futures

Articles

 

Introduction: There's No Place Like London: Theatrical Landscapes of a City in Recovery
Harry Derbyshire, Nicholas Holden, and Mark O'Thomas

 

The Resistible Rise of Isli-Crouch Upon-Thames: New Metropolitanism in New British Drama
Graham Saunders

 

'Be Yourself, Inasmuch as it Suits the Job': "Authenticity" in Practice at Berlin's Maxim Gorki and London's Royal Court
Emily Goodling and Lianna Mark

 

Flexibility, Abstraction, Orthodoxy: The Lehman Trilogy and (the) British Capital
Alex Ferrone

 

To Remind You Of My Love: London's Love Affair With The American Musical
Laura MacDonald

 

High Rise eState of Mind: Love and Honesty in the Midst of London's Neoliberal Housing Crisis
Katie Beswick

 

Rita, Sue and #Metoo: The Royal Court Theatre, London, and Liberalism
Mark O'Thomas

 

Forty Years On: The Funding Conundrum at The Finborough
Sue Healy

 

'Creating Change Where it Matters the Most': Artistic Directorship and Representation in the London Theatre
Harry Derbyshire

 

Afterword
Nicholas Holden

Editor
Daniel Knapper
 
 
 
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ISSN: 0010-4078

 
 
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