Eco-Critical Approaches to Medieval Art, East and West I: Landscapes
Sponsoring Organization(s)
International Center of Medieval Art (ICMA)
Organizer Name
Anne F. Harris
Organizer Affiliation
DePauw Univ.
Presider Name
Anne F. Harris
Paper Title 1
Deserts, Rivers, and Mountains: Nature and Divinity in Byzantine Pilgrimage Art
Presenter 1 Name
Anastasia Drandaki
Presenter 1 Affiliation
Benaki Museum
Paper Title 2
Fresco at Kaminaria: A Donor Portrait Set in the Cypriot Landscape
Presenter 2 Name
Barbara McNulty
Presenter 2 Affiliation
Lebanon Valley College
Paper Title 3
Painting Paradise: The Use of Terra Verde in the Chiostro Verde, Santa Maria Novella (Florence)
Presenter 3 Name
Amber McAlister
Presenter 3 Affiliation
Univ. of Pittsburgh-Greensburg
Start Date
12-5-2013 8:30 AM
Session Location
Bernhard 209
Description
This panel seeks to reassert and explore the agency of natural matter upon its human “interactors” through both devotional and secular works of art. It explores the materiality of works of art as it relates to the natural world, analyzes the representation of nature as it conceptualizes nature, and localizes works of art within cultural constructions of the natural. Beyond being curious about the ability of works of art to “reflect” attitudes to nature, this panel asks how works of art in the European and Byzantine Middle Ages shaped conceptions of the natural, made nature present within a devotional context, and evoked the divine agency of nature through their materiality.
Anne F. Harris
Eco-Critical Approaches to Medieval Art, East and West I: Landscapes
Bernhard 209
This panel seeks to reassert and explore the agency of natural matter upon its human “interactors” through both devotional and secular works of art. It explores the materiality of works of art as it relates to the natural world, analyzes the representation of nature as it conceptualizes nature, and localizes works of art within cultural constructions of the natural. Beyond being curious about the ability of works of art to “reflect” attitudes to nature, this panel asks how works of art in the European and Byzantine Middle Ages shaped conceptions of the natural, made nature present within a devotional context, and evoked the divine agency of nature through their materiality.
Anne F. Harris