Eco-Critical Approaches to Medieval Art, East and West II: Objects
Sponsoring Organization(s)
International Center of Medieval Art (ICMA)
Organizer Name
Anne F. Harris
Organizer Affiliation
DePauw Univ.
Presider Name
Nancy P. Sevcenko
Presider Affiliation
Independent Scholar
Paper Title 1
Nature and Sacred Text in the Old English Riddle 26: An Eco-Critical Reading
Presenter 1 Name
Heide Estes
Presenter 1 Affiliation
Monmouth Univ.
Paper Title 2
The Presence of Nature within a Devotional Context: A Case Study of a Middle Byzantine Reliquary from Mount Athos
Presenter 2 Name
Brad Hostetler
Presenter 2 Affiliation
Florida State Univ.
Paper Title 3
Exquisite Corpses: Animal Remains, the Virgin Mary, and Jesus Christ
Presenter 3 Name
Alexa K. Sand
Presenter 3 Affiliation
Utah State Univ.
Start Date
12-5-2013 10:30 AM
Session Location
Bernhard 209
Description
This panel seeks to reassert and explore the agency of natural matter upon its human “interactors” through both devotional and secular works of art. It explores the materiality of works of art as it relates to the natural world, analyzes the representation of nature as it conceptualizes nature, and localizes works of art within cultural constructions of the natural. Beyond being curious about the ability of works of art to “reflect” attitudes to nature, this panel asks how works of art in the European and Byzantine Middle Ages shaped conceptions of the natural, made nature present within a devotional context, and evoked the divine agency of nature through their materiality.
Anne F. Harris
Eco-Critical Approaches to Medieval Art, East and West II: Objects
Bernhard 209
This panel seeks to reassert and explore the agency of natural matter upon its human “interactors” through both devotional and secular works of art. It explores the materiality of works of art as it relates to the natural world, analyzes the representation of nature as it conceptualizes nature, and localizes works of art within cultural constructions of the natural. Beyond being curious about the ability of works of art to “reflect” attitudes to nature, this panel asks how works of art in the European and Byzantine Middle Ages shaped conceptions of the natural, made nature present within a devotional context, and evoked the divine agency of nature through their materiality.
Anne F. Harris