Bos Motz: Well-Chosen Words in Occitania
Sponsoring Organization(s)
Société Guilhem IX
Organizer Name
Valerie M. Wilhite
Organizer Affiliation
Univ. of Oregon
Presider Name
Sarah-Grace Heller
Presider Affiliation
Ohio State Univ.
Paper Title 1
Amors Is a Four-Letter Word: How Word Usage Tells Us What the Troubadours Really Thought about Love
Presenter 1 Name
Roy Hagman
Presenter 1 Affiliation
Trent Univ.
Paper Title 2
O son tuit li mot triat: The Cobla as Model of Literary Perfection
Presenter 2 Name
Courtney Joseph Wells
Presenter 2 Affiliation
Hobart and William Smith Colleges
Paper Title 3
Beatritz de Mongalvanh
Presenter 3 Name
Wendy Pfeffer
Presenter 3 Affiliation
Univ. of Louisville
Start Date
9-5-2013 1:30 PM
Session Location
Schneider 1120
Description
Session 1: Panel
Bos motz: Well-Chosen Words in Occitania
"Bos motz" are often evoked as an appealing feature in troubadour songs. Peire Vidal's Vida recounts that he used "fine words". Rhetorical treatises likewise vaunt their importance and instruct on how they may be achieved. This panel explores Occitan words, good and bad (for instance, "paubres motz") within the contexts of linguistics, semantics, translation, rhetorica, historical terms, links between words and music, and manuscript variations.
Valerie M. Wilhite
Bos Motz: Well-Chosen Words in Occitania
Schneider 1120
Session 1: Panel
Bos motz: Well-Chosen Words in Occitania
"Bos motz" are often evoked as an appealing feature in troubadour songs. Peire Vidal's Vida recounts that he used "fine words". Rhetorical treatises likewise vaunt their importance and instruct on how they may be achieved. This panel explores Occitan words, good and bad (for instance, "paubres motz") within the contexts of linguistics, semantics, translation, rhetorica, historical terms, links between words and music, and manuscript variations.
Valerie M. Wilhite