Romance Materiality I: The (Im)materiality of the Book
Sponsoring Organization(s)
Medieval Romance Society
Organizer Name
Jenn Bartlett
Organizer Affiliation
Univ. of York
Presider Name
Jake Walsh Morrissey
Presider Affiliation
Trent Univ.
Paper Title 1
Conclusion, Closure, and Cultures of Reading
Presenter 1 Name
Siobhain Bly Calkin
Presenter 1 Affiliation
Carleton Univ.
Paper Title 2
The Straight Line: In, on, and around Household Miscellanies
Presenter 2 Name
Benjamin Ambler
Presenter 2 Affiliation
Arizona State Univ.
Paper Title 3
The Ambivalent Status of Luxury Goods in an Illuminated Roman de la rose : MS Ludwig XV 7
Presenter 3 Name
Melanie Garcia Sympson
Presenter 3 Affiliation
Univ. of Michigan-Ann Arbor
Start Date
14-5-2015 10:00 AM
Session Location
Schneider 1335
Description
This session explores the materiality of the romance book as object. How is romance affected by its medium? Papers examine romance manuscript codicology; conclusions, explicits, and closure of romances; rubrication, the placement of miniatures, and the later addition of titles and item numbers that aid or problematise methods of visual processing. They also question representations of fashion and material wealth in luxury show manuscripts and the didactic role of manuscript layout. Manuscripts covered include MS Ludwig XV 7, the Auchinleck Manuscript (NLS MS Advocates 19.2.1), Bodleian MS Ashmole 61 and Cambridge University MS Ff. 2.28. Texts discussed include the Roman de la Rose, Beves of Hamtoun, Kyng Alisaunder, Guy of Warwick, Sir Orfeo, Floris and Blancheflur, Roland and Vernagu and Of Arthour and of Merlin.
Jenn Bartlett
Romance Materiality I: The (Im)materiality of the Book
Schneider 1335
This session explores the materiality of the romance book as object. How is romance affected by its medium? Papers examine romance manuscript codicology; conclusions, explicits, and closure of romances; rubrication, the placement of miniatures, and the later addition of titles and item numbers that aid or problematise methods of visual processing. They also question representations of fashion and material wealth in luxury show manuscripts and the didactic role of manuscript layout. Manuscripts covered include MS Ludwig XV 7, the Auchinleck Manuscript (NLS MS Advocates 19.2.1), Bodleian MS Ashmole 61 and Cambridge University MS Ff. 2.28. Texts discussed include the Roman de la Rose, Beves of Hamtoun, Kyng Alisaunder, Guy of Warwick, Sir Orfeo, Floris and Blancheflur, Roland and Vernagu and Of Arthour and of Merlin.
Jenn Bartlett