The Sounds of Silence
Sponsoring Organization(s)
Centre for Medieval and Renaissance Studies, Univ. of Glasgow
Organizer Name
Pamela King
Organizer Affiliation
Univ. of Glasgow
Presider Name
Pamela King
Paper Title 1
The Audible Spirit: Physical Perceptions of the Sense of Hearing and Deafness in the Middle Ages
Presenter 1 Name
Jessica Legacy
Presenter 1 Affiliation
Univ. of Edinburgh
Paper Title 2
"The upstart has stolen our artistry": Music, Alternative Utterance, and Courtly Deafness in the Roman de silence
Presenter 2 Name
Phoebe C. Linton
Presenter 2 Affiliation
Univ. of Edinburgh
Paper Title 3
Moveing Silence: The Speaking Body in Medieval Drama
Presenter 3 Name
Clare Wright
Presenter 3 Affiliation
Univ. of Kent
Paper Title 4
Respondent
Presenter 4 Name
Elizabeth Robertson
Presenter 4 Affiliation
Univ. of Glasgow
Start Date
15-5-2015 1:30 PM
Session Location
Bernhard 205
Description
Within pre-modern studies there is a continuing interest in the history of the senses, and in corporeal performativity and reception in the arts. One trend has seen the application of theories drawn from perception psychology moving out from considering the visual to explore aurality. This session focuses specifically on the absence of, or abstention from noise, the valorising of silence. Silence in these contexts has evident gestural value. Silence is not only abstention from speech but from noise-making more generally. Moreover it has its correlative in the reception of silence and, in particular, deafness..
Pamela Margaret King
The Sounds of Silence
Bernhard 205
Within pre-modern studies there is a continuing interest in the history of the senses, and in corporeal performativity and reception in the arts. One trend has seen the application of theories drawn from perception psychology moving out from considering the visual to explore aurality. This session focuses specifically on the absence of, or abstention from noise, the valorising of silence. Silence in these contexts has evident gestural value. Silence is not only abstention from speech but from noise-making more generally. Moreover it has its correlative in the reception of silence and, in particular, deafness..
Pamela Margaret King