The Decadent Fifteenth Century
Sponsoring Organization(s)
Special Session
Organizer Name
Spencer Strub, Taylor Cowdery
Organizer Affiliation
Univ. of California-Berkeley, Harvard Univ.
Presider Name
Taylor Cowdery
Paper Title 1
Mere Externalism
Presenter 1 Name
Shannon Gayk
Presenter 1 Affiliation
Indiana Univ.-Bloomington
Paper Title 2
Children of Decadence: Education, Politics, and Abuse in the Writings of Peter Idley and Stephen Scrope
Presenter 2 Name
Matthew Giancarlo
Presenter 2 Affiliation
Univ. of Kentucky
Paper Title 3
Tragedy and Decadence
Presenter 3 Name
Maura Nolan
Presenter 3 Affiliation
Univ. of California-Berkeley
Paper Title 4
Response
Presenter 4 Name
Robert J. Meyer-Lee
Presenter 4 Affiliation
Indiana Univ.-South Bend
Start Date
15-5-2015 1:30 PM
Session Location
Bernhard 208
Description
This panel invites a reconsideration of fifteenth-century decadence. Questions to be
considered might include: how and why might decadence be a valid term for
describing fifteenth century literature? What do we gain by rethinking the
fifteenth century’s sense of its own belatedness under the rubric of decadence? Is
there a “subtle and delicate sweetness” to fifteenth century literature?
Conversely, is there still room for a critical discussion of decay and decline, even
against the new consensus? What place does decadence have within the current
‘aesthetic turn’ of Middle English studies, a turn that has been particularly
productive in its reassessment of writers such as Lydgate?
Spencer Strub
The Decadent Fifteenth Century
Bernhard 208
This panel invites a reconsideration of fifteenth-century decadence. Questions to be
considered might include: how and why might decadence be a valid term for
describing fifteenth century literature? What do we gain by rethinking the
fifteenth century’s sense of its own belatedness under the rubric of decadence? Is
there a “subtle and delicate sweetness” to fifteenth century literature?
Conversely, is there still room for a critical discussion of decay and decline, even
against the new consensus? What place does decadence have within the current
‘aesthetic turn’ of Middle English studies, a turn that has been particularly
productive in its reassessment of writers such as Lydgate?
Spencer Strub