Queering Eden
Sponsoring Organization(s)
Society for the Study of Homosexuality in the Middle Ages (SSHMA)
Organizer Name
Graham N. Drake
Organizer Affiliation
SUNY-Geneseo
Presider Name
Graham N. Drake
Paper Title 1
It’s Adam and Steve in the End: Medieval Wales as Apocalyptic Eden
Presenter 1 Name
Stephen Yandell
Presenter 1 Affiliation
Xavier Univ.
Paper Title 2
Queering Eden in Chaucer's Merchant's Tale
Presenter 2 Name
Tison Pugh
Presenter 2 Affiliation
Univ. of Central Florida
Paper Title 3
How Does Your Garden Grow? Eden and the Virgin in Gonzalo de Berceo's Milagros de nuestra señora
Presenter 3 Name
Felipe E. Rojas
Presenter 3 Affiliation
Chicago State Univ.
Start Date
15-5-2015 3:30 PM
Session Location
Valley II Garneau Lounge
Description
Medieval fascination with Eden spans multiple scholarly fields: literature, theology, and the visual arts. Representing not merely creation, but also rigidly bifurcated categories (male/female, human/animal), Genesis' walled garden anchors all other biblical narratives, and Adam-and-Eve-as-Ur-couple has generated exegetical demonizing of same-sex desire and gender non-conformity. While Edenic imagery defends the rigidity of labels and boundaries, it ironically announces multiple kinds of queerness: the same feminine garden (nature unleashed) symbolizes masculine control (nature contained); humanity's utopian paradise introduces evil to the world; the garden of the tree of life contains a tree of knowledge of good and evil. This panel, then, explores a largely overlooked topic in queer studies.
Graham N. Drake
Queering Eden
Valley II Garneau Lounge
Medieval fascination with Eden spans multiple scholarly fields: literature, theology, and the visual arts. Representing not merely creation, but also rigidly bifurcated categories (male/female, human/animal), Genesis' walled garden anchors all other biblical narratives, and Adam-and-Eve-as-Ur-couple has generated exegetical demonizing of same-sex desire and gender non-conformity. While Edenic imagery defends the rigidity of labels and boundaries, it ironically announces multiple kinds of queerness: the same feminine garden (nature unleashed) symbolizes masculine control (nature contained); humanity's utopian paradise introduces evil to the world; the garden of the tree of life contains a tree of knowledge of good and evil. This panel, then, explores a largely overlooked topic in queer studies.
Graham N. Drake