The Translation of Saint Osmund (Performance)
Sponsoring Organization(s)
Gregorian Institute of Canada / L'Institut Grégorien du Canada
Organizer Name
William Renwick
Organizer Affiliation
Gregorian Institute of Canada
Presider Name
William Renwick
Paper Title 1
Performers
Presenter 1 Name
Alison Altstatt, Robin Ehlert
Presenter 1 Affiliation
Univ. of Northern Iowa, Gregorian Institute of Canada
Paper Title 2
Performers
Presenter 2 Name
Mary Gillmeister, Peter Goodrich
Presenter 2 Affiliation
Gregorian Institute of Canada, Gregorian Institute of Canada
Paper Title 3
Performers
Presenter 3 Name
Lara Housez, Elizabeth Langs
Presenter 3 Affiliation
McMaster Univ., Gregorian Institute of Canada
Paper Title 4
Performers
Presenter 4 Name
Eric MacKay, Jonathan Marler
Presenter 4 Affiliation
Gregorian Institute of Canada, Gregorian Institute of Canada
Paper Title 5
Performers
Presenter 5 Name
Susan McKay, Patricia Maynes
Presenter 5 Affiliation
Gregorian Institute of Canada, Gregorian Institute of Canada
Paper Title 6
Performers
Presenter 6 Name
Peggy Read, Islay-May Renwick, Jenifer Darling
Presenter 6 Affiliation
Gregorian Institute of Canada, Gregorian Institute of Canada, Gregorian Institute of Canada
Paper Title 7
Performers
Presenter 7 Name
James Renwick, Elaine Sheppard
Presenter 7 Affiliation
Univ. of Toronto, Gregorian Institute of Canada
Start Date
13-5-2016 3:30 PM
Session Location
Kanley Chapel
Description
Saint Osmund (d. 1099) was the last English saint to be canonized (in 1456) before the reformation. In 1457 a great celebration was held at Salisbury Cathedral as his remains were translated into a new shrine. The music composed for the Translation of Saint Osmund, which survives in only a single manuscript, thus represents the final flowering of chant-composition in England. This performance will be the first since the reformation of all the surviving Sarum chant composed in honour of Saint Osmund.
William Renwick
The Translation of Saint Osmund (Performance)
Kanley Chapel
Saint Osmund (d. 1099) was the last English saint to be canonized (in 1456) before the reformation. In 1457 a great celebration was held at Salisbury Cathedral as his remains were translated into a new shrine. The music composed for the Translation of Saint Osmund, which survives in only a single manuscript, thus represents the final flowering of chant-composition in England. This performance will be the first since the reformation of all the surviving Sarum chant composed in honour of Saint Osmund.
William Renwick