Othering Texts in Medieval Literature and Historiography
Sponsoring Organization(s)
Kaiserchronik Project, Dept. of German and Dutch, Univ. of Cambridge (AHRC Grant)
Organizer Name
Christoph Pretzer
Organizer Affiliation
Univ. of Cambridge
Presider Name
Thomas Foerster
Presider Affiliation
Univ. of Cambridge
Paper Title 1
Does Evil Break Forth from Out of North? Identity and Alterity in the Idea of the North in Twelfth-Century Universal Histories
Presenter 1 Name
Eric Wolever
Presenter 1 Affiliation
Univ. of York
Paper Title 2
Between Artifice and Manifestation: Poetological Invention and Composition in Early Vernacular Prologues
Presenter 2 Name
Christoph Pretzer
Paper Title 3
Developing Ethnic Consciousness in Vernacular Chronicles
Presenter 3 Name
Thomas R. Leek
Presenter 3 Affiliation
Univ. of Wisconsin-Stevens Point
Paper Title 4
Inscribing Oneself in the Christian Universe: Strategies of Self-Characterization in Religious Texts from the Late Middle Ages
Presenter 4 Name
Verena Linder-Spohn (Gründler Travel Award Winner)
Presenter 4 Affiliation
Albert-Ludwigs-Univ. Freiburg
Start Date
12-5-2017 1:30 PM
Session Location
Sangren 1710
Description
This session sets out to explore how Latin and German vernacular texts from the 12th to the 14th century "talk" about "other" medieval texts. The papers will take a look at the terminology, agendas and con-texts in which medieval texts classify each other, if and if yes how, categories like genre, audience, intention, language et al., which could be used to create otherness, are being perceived, presented and appraised. Is it at all possible to grasp a sense of alterity in those texts? Which lines are being drawn as signifiers for "otherness"? Which textual and literary in- and out-groups emerge? Which relational identities are constructed? Christoph Pretzer
Othering Texts in Medieval Literature and Historiography
Sangren 1710
This session sets out to explore how Latin and German vernacular texts from the 12th to the 14th century "talk" about "other" medieval texts. The papers will take a look at the terminology, agendas and con-texts in which medieval texts classify each other, if and if yes how, categories like genre, audience, intention, language et al., which could be used to create otherness, are being perceived, presented and appraised. Is it at all possible to grasp a sense of alterity in those texts? Which lines are being drawn as signifiers for "otherness"? Which textual and literary in- and out-groups emerge? Which relational identities are constructed? Christoph Pretzer