In Honor of Adelaide Bennett Hagens II: Signs of Patronage in Medieval Manuscripts
Sponsoring Organization(s)
Index of Christian Art, Princeton Univ.
Organizer Name
Jessica Savage, Judith Golden
Organizer Affiliation
Index of Christian Art, Princeton Univ., Index of Christian Art, Princeton Univ.
Presider Name
M. Alison Stones
Presider Affiliation
Univ. of Pittsburgh
Paper Title 1
How Owner Portraits Work
Presenter 1 Name
Maeve Doyle
Presenter 1 Affiliation
Bryn Mawr College
Paper Title 2
The Patroness Portrait of the Fécamp Psalter (ca. 1180): An Unknown Example of Royal Artistic Commission in Angevin Normandy
Presenter 2 Name
Jesús Rodríguez Viejo
Presenter 2 Affiliation
Univ. of Edinburgh
Paper Title 3
Patron Portrait as Creation Myth: On "Production Scenes" in Illuminated Manuscripts
Presenter 3 Name
Shannon L. Wearing
Presenter 3 Affiliation
Univ. of California-Irvine
Start Date
12-5-2017 3:30 PM
Session Location
Bernhard 106
Description
This session will examine the varied “visual signatures” of manuscript patrons, including dress, gestures, posture, and attributes of donor figures; heraldry and personalized inscriptions; marginal notes, colophons, dedications, and other signs of ownership and use in medieval manuscripts. Building on scholarship presented in the 2013 Index of Christian Art conference Patronage: Power and Agency in Medieval Art, this session will investigate the dynamic system of patronage centered on the interaction of owners with their books (whether as creator, patron, commissioner, or reader-viewer). Papers will address the importance of gender and social roles in book production, use, and readership, or will expand upon the role of patron as instigator in the book creation process, from payment to design.
Jessica L. Savage
In Honor of Adelaide Bennett Hagens II: Signs of Patronage in Medieval Manuscripts
Bernhard 106
This session will examine the varied “visual signatures” of manuscript patrons, including dress, gestures, posture, and attributes of donor figures; heraldry and personalized inscriptions; marginal notes, colophons, dedications, and other signs of ownership and use in medieval manuscripts. Building on scholarship presented in the 2013 Index of Christian Art conference Patronage: Power and Agency in Medieval Art, this session will investigate the dynamic system of patronage centered on the interaction of owners with their books (whether as creator, patron, commissioner, or reader-viewer). Papers will address the importance of gender and social roles in book production, use, and readership, or will expand upon the role of patron as instigator in the book creation process, from payment to design.
Jessica L. Savage