Style, Tragedy, Irony, and Death
Sponsoring Organization(s)
Dante Society of America
Organizer Name
Alison Cornish
Organizer Affiliation
Univ. of Michigan-Ann Arbor
Presider Name
Kathleen Verduin
Presider Affiliation
Hope College
Paper Title 1
Dante's Three Styles Revisited: Constructio
Presenter 1 Name
Wuming Chang
Presenter 1 Affiliation
Brown Univ.
Paper Title 2
Dante's Retrospective Illumination of Irony: The Inferno
Presenter 2 Name
James T. Chiampi
Presenter 2 Affiliation
Univ. of California-Irvine
Paper Title 3
Dantean Contradictions: "Cangrande" on Tragedy, and Satan as Both Active and Inactive
Presenter 3 Name
Henry Ansgar Kelly
Presenter 3 Affiliation
Univ. of California-Los Angeles
Paper Title 4
Studying Death with Dante: The Vita nuova and Chaucer's Book of the Duchess
Presenter 4 Name
Aparna Chaudhuri
Presenter 4 Affiliation
Harvard Univ.
Start Date
13-5-2017 3:30 PM
Session Location
Schneider 1275
Description
These four papers consider issues of style: comic, tragic, ironic, and elegiac. The Paradiso will be considered as the interpretive key to opening up the irony of the Inferno. Stylistic prescriptions regarding constructio (syntax and word order) of the De vulgari eloquentia and contemporary vernacularizations of rhetorical treatises will be traced in the Commedia. The definition of tragedy and comedy in the Epistle to Cangrande will be placed alongside the depiction of Satan. Dante's experimentation with elegy in the Vita nuova will be juxtaposed with Chaucer's first major poem, the Book of the Duchess.
Alison Cornish
Style, Tragedy, Irony, and Death
Schneider 1275
These four papers consider issues of style: comic, tragic, ironic, and elegiac. The Paradiso will be considered as the interpretive key to opening up the irony of the Inferno. Stylistic prescriptions regarding constructio (syntax and word order) of the De vulgari eloquentia and contemporary vernacularizations of rhetorical treatises will be traced in the Commedia. The definition of tragedy and comedy in the Epistle to Cangrande will be placed alongside the depiction of Satan. Dante's experimentation with elegy in the Vita nuova will be juxtaposed with Chaucer's first major poem, the Book of the Duchess.
Alison Cornish