Light and Darkness in Medieval Art, 1200-1450 II
Sponsoring Organization(s)
International Center of Medieval Art (ICMA)
Organizer Name
Stefania Gerevini, Tom Nickson
Organizer Affiliation
Bocconi Univ., Courtauld Institute of Art
Presider Name
Nancy Thompson
Presider Affiliation
St. Olaf College
Paper Title 1
"Swords Shining in the Ears of Virgins": Light and Lighting in Muslim and Christian Iberia
Presenter 1 Name
Tom Nickson
Paper Title 2
Deciphering the Axis Mundi: Light, Water, and Their Reflection on Pre- and Early Ottoman Anatolia
Presenter 2 Name
Federica Broilo
Presenter 2 Affiliation
Univ. degli Studi di Urbino "Carlo Bo"
Paper Title 3
Light Matters: The Cappella Portinari in Sant' Eustorgio, Milan
Presenter 3 Name
Stefania Gerevini
Start Date
13-5-2017 3:30 PM
Session Location
Schneider 1360
Description
Specialists of Christian, Islamic and Jewish art and culture are invited to explore how perceptions of light and darkness informed the ways in which art across Europe and the Mediterranean was produced, viewed and understood in the period 1200–1450. Our double session will investigate the correlations between theories of optics, theologies of light, practices of illumination, and modes of viewing in the Middle Ages, as well as the ways in which different religious or cultural communities conceptualized light and used it in everyday life or ritual settings. Papers will also address such broad methodological questions as: can the investigation of light prompt reconsideration of well-established periodizations and interpretative paradigms of art history? How was the dramatic interplay between light and obscurity exploited in the secular and religious architecture of Europe and the medieval Mediterranean? How carefully were light effects taken into account in the display of images and portable objects, and how does consideration of luminosity, shadow and darkness hone our understanding of the agency of medieval objects? Finally, to what extent is light’s ephemeral and fleeting nature disguised by changing fashions of display and technologies of reproduction, and how do these affect our ability to apprehend and explain medieval approaches to light?
Stefania Gerevini
Light and Darkness in Medieval Art, 1200-1450 II
Schneider 1360
Specialists of Christian, Islamic and Jewish art and culture are invited to explore how perceptions of light and darkness informed the ways in which art across Europe and the Mediterranean was produced, viewed and understood in the period 1200–1450. Our double session will investigate the correlations between theories of optics, theologies of light, practices of illumination, and modes of viewing in the Middle Ages, as well as the ways in which different religious or cultural communities conceptualized light and used it in everyday life or ritual settings. Papers will also address such broad methodological questions as: can the investigation of light prompt reconsideration of well-established periodizations and interpretative paradigms of art history? How was the dramatic interplay between light and obscurity exploited in the secular and religious architecture of Europe and the medieval Mediterranean? How carefully were light effects taken into account in the display of images and portable objects, and how does consideration of luminosity, shadow and darkness hone our understanding of the agency of medieval objects? Finally, to what extent is light’s ephemeral and fleeting nature disguised by changing fashions of display and technologies of reproduction, and how do these affect our ability to apprehend and explain medieval approaches to light?
Stefania Gerevini