Trans-gressive Bodies: A Queer Perspective on Ovid in the Middle Ages
Sponsoring Organization(s)
Medieval and Renaissance Center (MARC), New York Univ.; Medieval and Renaissance Graduate Interdisciplinary Network (MARGIN), New York Univ.
Organizer Name
Katherine Travers
Organizer Affiliation
New York Univ.
Presider Name
Christopher T. Richards
Presider Affiliation
New York Univ.
Paper Title 1
Bloodwriting: Reading the Hands That Wrote Philomena
Presenter 1 Name
Joseph R. Johnson
Presenter 1 Affiliation
New York Univ.
Paper Title 2
"Thus He Sat Her on His High Throne": Queering the Queen through a Coronation of the Virgin in the Ovide moralisé
Presenter 2 Name
Juliana Amorim Goskes
Presenter 2 Affiliation
New York Univ.
Paper Title 3
Retranslation: Pygmalion and the Shifting Shape of Shame in Early Modern Art
Presenter 3 Name
Sarah Mallory
Presenter 3 Affiliation
Institute of Fine Arts, New York Univ.
Paper Title 4
The Sex Life of Pearls: Pygmalion, Pearl, and Objectumsexuality
Presenter 4 Name
James C. Staples
Presenter 4 Affiliation
New York Univ.
Start Date
11-5-2018 1:30 PM
Session Location
Schneider 1325
Description
Ovidian reception in the Middle Ages has long provided scholars with many fruitful and creative avenues for study. We would like to offer a panel that takes a queer approach to the history of Ovid’s reception, which considers Ovid as a prompt for medieval considerations of non-normative bodies and non-normative desires. We suggest that Ovid helped Medieval culture think queerly about bodies and identity. We hope to position Ovid as a touchstone for conceptualizing (possibly justifying) bodies which are transgressive, bodies that resist, that defy categorization, that defy boundaries or those bodies which are “trans-”; bodies that act transgressively, that enact desires which are “perverse.”
Katherine Travers
Trans-gressive Bodies: A Queer Perspective on Ovid in the Middle Ages
Schneider 1325
Ovidian reception in the Middle Ages has long provided scholars with many fruitful and creative avenues for study. We would like to offer a panel that takes a queer approach to the history of Ovid’s reception, which considers Ovid as a prompt for medieval considerations of non-normative bodies and non-normative desires. We suggest that Ovid helped Medieval culture think queerly about bodies and identity. We hope to position Ovid as a touchstone for conceptualizing (possibly justifying) bodies which are transgressive, bodies that resist, that defy categorization, that defy boundaries or those bodies which are “trans-”; bodies that act transgressively, that enact desires which are “perverse.”
Katherine Travers