Complaining in the Middle Ages: The Genre of Complaint
Sponsoring Organization(s)
Medieval Association of the Midwest (MAM)
Organizer Name
Sean Lewis
Organizer Affiliation
Mount St. Mary's Univ.
Presider Name
Sean Lewis
Paper Title 1
Complaining about Writing and Writing about Complaining in Medieval England
Presenter 1 Name
Danielle Bradley
Presenter 1 Affiliation
Rutgers Univ.
Paper Title 2
"She kyttheth what she is": Poetics of Consolation, Complaint, and Repentance in Chaucer's Legend of Good Women
Presenter 2 Name
Serena Howe
Presenter 2 Affiliation
Univ. of Dallas
Paper Title 3
Silencing Complaint: The Querulous Narrator of the Roman de silence
Presenter 3 Name
Jenny Tan
Presenter 3 Affiliation
Univ. of California-Berkeley
Start Date
12-5-2018 10:00 AM
Session Location
Valley 2 Garneau Lounge
Description
In her classic study Medieval Readers and Writers, 1350-1400, Janet Coleman characterized the complaint as a largely middle-class genre of “social and religious unrest” in the 14th century, a genre whose authors included Chaucer, Gower, and Langland, as well as a number of anonymous poets. Our own climate of “unrest” is a particularly timely one in which to reflect on this genre, and this paper session seeks revisit and reassess our understanding of the complaint. In particular, this session is interested in further attention to dimensions of the genre untreated by Coleman: the complaint’s literary sources and antecedents before the fourteenth century, its non-political expressions (particularly in erotic and religious contexts), the function of gender in the genre, and its further developments in the 15th and early 16th centuries.
Alison (Ganze) Langdon
Complaining in the Middle Ages: The Genre of Complaint
Valley 2 Garneau Lounge
In her classic study Medieval Readers and Writers, 1350-1400, Janet Coleman characterized the complaint as a largely middle-class genre of “social and religious unrest” in the 14th century, a genre whose authors included Chaucer, Gower, and Langland, as well as a number of anonymous poets. Our own climate of “unrest” is a particularly timely one in which to reflect on this genre, and this paper session seeks revisit and reassess our understanding of the complaint. In particular, this session is interested in further attention to dimensions of the genre untreated by Coleman: the complaint’s literary sources and antecedents before the fourteenth century, its non-political expressions (particularly in erotic and religious contexts), the function of gender in the genre, and its further developments in the 15th and early 16th centuries.
Alison (Ganze) Langdon