Puppets and Puppetry before 1500
Sponsoring Organization(s)
Special Session
Organizer Name
Alexa Sand
Organizer Affiliation
Utah State Univ.
Presider Name
Alexa Sand
Paper Title 1
Did Liturgical Puppets Exist in the Middle Ages?
Presenter 1 Name
Christophe Chaguinian
Presenter 1 Affiliation
Univ. of North Texas
Paper Title 2
Why Is the Puppet Magicalistical? Notes on Theurgy, Scale, and Late Platonist Aesthetics
Presenter 2 Name
C. M. Chin
Presenter 2 Affiliation
Univ. of California-Davis
Paper Title 3
Puppet or Automaton? The Roraffe of Strasbourg Cathedral
Presenter 3 Name
Michelle Oing
Presenter 3 Affiliation
Yale Univ.
Start Date
10-5-2018 3:30 PM
Session Location
Bernhard 158
Description
Situated at the margins of several disciplinary boundaries, the history of puppets and puppetry in Europe and the Mediterranean region during the Middle Ages has never received the sustained treatment it deserves. Individual scholars have made important contributions to our understanding of how puppetry emerged as one of the characteristic art forms of early modern urban culture in both the Islamic and the Christian contexts, but standard histories of puppetry tend to treat the whole period superficially, often repeating assertions that are more folkloric than evidenced-based. This panel seeks to bring together a substantial and cohesive body of scholarship on pre-modern puppetry that will address growing interdisciplinary interest in the performing objects, cultural exchanges, texts, and images of medieval puppetry.
Alexa K. Sand
Puppets and Puppetry before 1500
Bernhard 158
Situated at the margins of several disciplinary boundaries, the history of puppets and puppetry in Europe and the Mediterranean region during the Middle Ages has never received the sustained treatment it deserves. Individual scholars have made important contributions to our understanding of how puppetry emerged as one of the characteristic art forms of early modern urban culture in both the Islamic and the Christian contexts, but standard histories of puppetry tend to treat the whole period superficially, often repeating assertions that are more folkloric than evidenced-based. This panel seeks to bring together a substantial and cohesive body of scholarship on pre-modern puppetry that will address growing interdisciplinary interest in the performing objects, cultural exchanges, texts, and images of medieval puppetry.
Alexa K. Sand