Le Fresne Again! Ten Years of Performing Marie de France (A Performance)
Sponsoring Organization(s)
International Marie de France Society
Organizer Name
Tamara Bentley Caudill
Organizer Affiliation
Jacksonville Univ.
Presider Name
Arielle McKee
Presider Affiliation
Purdue Univ.
Paper Title 1
Performer
Presenter 1 Name
Walter A. Blue
Presenter 1 Affiliation
Hamline Univ.
Paper Title 2
Performer
Presenter 2 Name
Simonetta Cochis
Presenter 2 Affiliation
Transylvania Univ.
Paper Title 3
Performer
Presenter 3 Name
Ronald Cook
Presenter 3 Affiliation
Independent Scholar
Paper Title 4
Performer
Presenter 4 Name
Dorothy Gilbert
Presenter 4 Affiliation
Univ. of California-Berkeley
Paper Title 5
Performer
Presenter 5 Name
Yvonne LeBlanc
Presenter 5 Affiliation
Independent Scholar
Paper Title 6
Discussant
Presenter 6 Name
Evelyn Birge Vitz
Presenter 6 Affiliation
New York Univ.
Start Date
11-5-2018 3:30 PM
Session Location
Valley 2 Garneau Lounge
Description
2018 marks the 10th anniversary of our popular performance panel in its current format; and we plan to bring back the original performers (with a few new faces) for an all-new performance of the text that started it all: Le Fresne. As in years past, the panel will involve period music, new translations, and dramatic readings in the original language. As Joyce Coleman, Evelyn Birge Vitz, and others have argued, hearing a text read aloud or watching its performance both mirrors the way the work would have been consumed in the Middle Ages and enhances our modern understanding. Our attendees regularly report that their perception of the work changes over the course of the session.
Tamara Bentley Caudill
Le Fresne Again! Ten Years of Performing Marie de France (A Performance)
Valley 2 Garneau Lounge
2018 marks the 10th anniversary of our popular performance panel in its current format; and we plan to bring back the original performers (with a few new faces) for an all-new performance of the text that started it all: Le Fresne. As in years past, the panel will involve period music, new translations, and dramatic readings in the original language. As Joyce Coleman, Evelyn Birge Vitz, and others have argued, hearing a text read aloud or watching its performance both mirrors the way the work would have been consumed in the Middle Ages and enhances our modern understanding. Our attendees regularly report that their perception of the work changes over the course of the session.
Tamara Bentley Caudill