Known Unknowns: Expanding the Cantus Database
Sponsoring Organization(s)
Cantus: A Database for Latin Ecclesiastical Chant
Organizer Name
Debra Lacoste
Organizer Affiliation
Univ. of Waterloo
Presider Name
Jennifer Bain
Presider Affiliation
Dalhousie Univ.
Paper Title 1
Cantus in the Wild: Database Students Tangle with Chant
Presenter 1 Name
Michael L. Norton; Sydney Edwards; Kathleen Penney
Presenter 1 Affiliation
James Madison Univ.; James Madison Univ.; James Madison Univ.
Paper Title 2
Gregorian Analytics: Algorithms for Late Medieval Saints' Offices
Presenter 2 Name
Kate Helsen; Mark Daley
Presenter 2 Affiliation
Western Univ.; Western Univ.
Paper Title 3
Prioritizing Graduals for the Cantus Database: Preliminary Considerations for the Selection of Sources
Presenter 3 Name
Sarah Ann Long
Presenter 3 Affiliation
Michigan State Univ.
Start Date
12-5-2018 3:30 PM
Session Location
Schneider 1245
Description
What can you do with Cantus data? This session proposes 1) to demonstrate some of the new directions towards which the Cantus Database is moving, guided by the Cantus research team, and 2) to explore the ways that Cantus Database chant records and metadata have been used by others, some that we have expected and others that we did not realize were possible.
As the database ventures into new repertories of chant, including Graduals for the Mass and liturgies that are not “Gregorian” (i.e., Old-Hispanic, Old-Roman, and Ambrosian, for example), academics and non-academics alike are finding new and useful ways to manipulate the data records to serve a variety of purposes, from computer science projects to public exhibitions of chant manuscripts to uncovering “unknown” melodies hidden within polyphonic compositions of the Renaissance. These varied usages of the database inspire us to expand both our holdings and our concept of who we might serve, that is, who our “public” might be.
Debra S. Lacoste
Known Unknowns: Expanding the Cantus Database
Schneider 1245
What can you do with Cantus data? This session proposes 1) to demonstrate some of the new directions towards which the Cantus Database is moving, guided by the Cantus research team, and 2) to explore the ways that Cantus Database chant records and metadata have been used by others, some that we have expected and others that we did not realize were possible.
As the database ventures into new repertories of chant, including Graduals for the Mass and liturgies that are not “Gregorian” (i.e., Old-Hispanic, Old-Roman, and Ambrosian, for example), academics and non-academics alike are finding new and useful ways to manipulate the data records to serve a variety of purposes, from computer science projects to public exhibitions of chant manuscripts to uncovering “unknown” melodies hidden within polyphonic compositions of the Renaissance. These varied usages of the database inspire us to expand both our holdings and our concept of who we might serve, that is, who our “public” might be.
Debra S. Lacoste