The Problematic Structure of Juan Ruiz's Libro de buen amor: Anthology, Collage, or Plot I
Sponsoring Organization(s)
Texas Medieval Association (TEMA)
Organizer Name
Paul Larson
Organizer Affiliation
Baylor Univ.
Presider Name
Donald J. Kagay
Presider Affiliation
Univ. of Dallas
Paper Title 1
In Search of the Perfect Fembra: The Church as an Idealized Woman
Presenter 1 Name
Jaime Leaños
Presenter 1 Affiliation
Univ. of Nevada-Reno
Paper Title 2
Poet's Progress: Pen, Parchment/Paper, Performance, and the Libro de buen amor
Presenter 2 Name
Carlos Hawley
Presenter 2 Affiliation
North Dakota State Univ.
Paper Title 3
Pitas Payas as Narrative Digression in the Libro de buen amor
Presenter 3 Name
Ross Karlan
Presenter 3 Affiliation
Georgetown Univ.
Paper Title 4
Disruptive Ordinatio in the Libro de buen amor
Presenter 4 Name
Anita Savo
Presenter 4 Affiliation
Colby College
Start Date
11-5-2018 1:30 PM
Session Location
Bernhard 106
Description
The way scholars have interpreted the LBA has varied widely over the past century. The fragmentary nature of the work has lead to wild speculation concerning a possible serious internal biographical plot regarding the life of an archpriest, but that same fragmentary structure has also lead critics to recognize the comedic, often outlandish antics of a bumbling cleric, which are deconstructed by any anonymous author who laughs at and criticizes official religious and social conventions. Papers in this session should address the structure of the LBA and how that structure affects how we read and interpret this vital 14th century Spanish work.
Paul Larson
The Problematic Structure of Juan Ruiz's Libro de buen amor: Anthology, Collage, or Plot I
Bernhard 106
The way scholars have interpreted the LBA has varied widely over the past century. The fragmentary nature of the work has lead to wild speculation concerning a possible serious internal biographical plot regarding the life of an archpriest, but that same fragmentary structure has also lead critics to recognize the comedic, often outlandish antics of a bumbling cleric, which are deconstructed by any anonymous author who laughs at and criticizes official religious and social conventions. Papers in this session should address the structure of the LBA and how that structure affects how we read and interpret this vital 14th century Spanish work.
Paul Larson