Art and Aftermath
Sponsoring Organization(s)
International Center of Medieval Art (ICMA)
Organizer Name
Beatrice Kitzinger
Organizer Affiliation
Princeton Univ.
Presider Name
Patricia Blessing
Presider Affiliation
Pomona College
Paper Title 1
"Corporal, Mediate, and Immediate": Property for Prosperity in Medieval Qazwīn
Presenter 1 Name
Meredyth Lynn Winter (Karrer Travel Award Winner)
Presenter 1 Affiliation
Harvard Univ.
Paper Title 2
Illuminating Power in the Aftermath: Ruler Theology in the Codex Aureus of Saint Emmeram
Presenter 2 Name
Riccardo Pizzinato
Presenter 2 Affiliation
Univ. of Texas-Rio Grande Valley
Paper Title 3
Romanesque Art and Conquest
Presenter 3 Name
Julia Perratore
Presenter 3 Affiliation
Fordham Univ.
Paper Title 4
The Aftermath of Adrianople? Mosan Metalwork at the Chungul Kurgan Burial
Presenter 4 Name
Warren T. Woodfin
Presenter 4 Affiliation
Queens College, CUNY
Start Date
11-5-2018 1:30 PM
Session Location
Sangren 1750
Description
This session presents papers that provide culturally and chronologically diverse perspectives on the relationship between particular artworks and external events. The session considers how art-making constitutes response to urgent concerns of the people who made buildings, objects, and images; examining how artworks were designed to shape their historical contexts in the aftermath of decisive events. The speakers characterize medieval productions as art of their contemporary moments, and ask us to consider the question of art's role in societal intervention or documentation.
Beatrice Kitzinger
Art and Aftermath
Sangren 1750
This session presents papers that provide culturally and chronologically diverse perspectives on the relationship between particular artworks and external events. The session considers how art-making constitutes response to urgent concerns of the people who made buildings, objects, and images; examining how artworks were designed to shape their historical contexts in the aftermath of decisive events. The speakers characterize medieval productions as art of their contemporary moments, and ask us to consider the question of art's role in societal intervention or documentation.
Beatrice Kitzinger