Digital Editing / Digital Archiving II: (By and Large) Projects and Experiences
Sponsoring Organization(s)
Digital Philology: A Journal of Medieval Cultures
Organizer Name
Albert Lloret
Organizer Affiliation
Univ. of Massachusetts-Amherst
Presider Name
Jeanette Patterson
Presider Affiliation
Binghamton Univ.
Paper Title 1
Why Bother with Wax: Seals and Digital Editions of Medieval Charters
Presenter 1 Name
John McEwan
Presenter 1 Affiliation
St. Louis Univ.
Paper Title 2
The Oxford-BYU Syriac Corpus: A Digital Library for Syriac Texts
Presenter 2 Name
James E. Walters
Presenter 2 Affiliation
Rochester College
Paper Title 3
The Arabic New Testament in Medieval Iberia: Creating Digital Parallel, Bilingual Editions at an Undergraduate Liberal Arts Institution
Presenter 3 Name
Jason Busic
Presenter 3 Affiliation
Denison Univ.
Paper Title 4
Liberum Spatium: Reconstructing Medieval Space
Presenter 4 Name
Alodia Martín-Martínez
Presenter 4 Affiliation
Temple Univ.
Start Date
11-5-2018 3:30 PM
Session Location
Sangren 1730
Description
The prevalent use of digital tools and online environments to edit medieval texts is resulting in a myriad of projects in which unique solutions are deployed to offer optimal representations of very different textual objects. Single manuscripts, library collections, authorial corpora, and works preserved in several witnesses, for instance, all beg for different editorial and archival approaches. The possibilities for study and representation, in addition, are multiplied not only by the technologies employed or designed ad hoc for each project, but also by the scholars’ ideas on the very nature of what is being studied.
Albert Lloret
Digital Editing / Digital Archiving II: (By and Large) Projects and Experiences
Sangren 1730
The prevalent use of digital tools and online environments to edit medieval texts is resulting in a myriad of projects in which unique solutions are deployed to offer optimal representations of very different textual objects. Single manuscripts, library collections, authorial corpora, and works preserved in several witnesses, for instance, all beg for different editorial and archival approaches. The possibilities for study and representation, in addition, are multiplied not only by the technologies employed or designed ad hoc for each project, but also by the scholars’ ideas on the very nature of what is being studied.
Albert Lloret