Digital Editing / Digital Archiving I: (Mostly) Theories and Methods
Sponsoring Organization(s)
Digital Philology: A Journal of Medieval Cultures
Organizer Name
Albert Lloret
Organizer Affiliation
Univ. of Massachusetts-Amherst
Presider Name
Jeanette Patterson
Presider Affiliation
Binghamton Univ.
Paper Title 1
Nothing New Under the Sun: Textual Scholarship and Digital Editing
Presenter 1 Name
Barbara Bordalejo
Presenter 1 Affiliation
KU Leuven
Paper Title 2
Digital Editions Are Revolutionary
Presenter 2 Name
Peter Robinson
Presenter 2 Affiliation
Univ. of Saskatchewan
Paper Title 3
Digital Scholarly Editing and Text Reconstruction: Theoretical Perspectives and Practical Approaches
Presenter 3 Name
Anna Cappellotto
Presenter 3 Affiliation
Univ. di Verona
Paper Title 4
Variation and Digital Editions
Presenter 4 Name
Gustavo Fernández Riva (Congress Travel Award Winner)
Presenter 4 Affiliation
Univ. de Buenos Aires
Start Date
11-5-2018 1:30 PM
Session Location
Sangren 1730
Description
The prevalent use of digital tools and online environments to edit medieval texts is resulting in a myriad of projects in which unique solutions are deployed to offer optimal representations of very different textual objects. Single manuscripts, library collections, authorial corpora, and works preserved in several witnesses, for instance, all beg for different editorial and archival approaches. The possibilities for study and representation, in addition, are multiplied not only by the technologies employed or designed ad hoc for each project, but also by the scholars’ ideas on the very nature of what is being studied.
Albert Lloret
Digital Editing / Digital Archiving I: (Mostly) Theories and Methods
Sangren 1730
The prevalent use of digital tools and online environments to edit medieval texts is resulting in a myriad of projects in which unique solutions are deployed to offer optimal representations of very different textual objects. Single manuscripts, library collections, authorial corpora, and works preserved in several witnesses, for instance, all beg for different editorial and archival approaches. The possibilities for study and representation, in addition, are multiplied not only by the technologies employed or designed ad hoc for each project, but also by the scholars’ ideas on the very nature of what is being studied.
Albert Lloret