Charles d’Orléans: Forms and Genres
Sponsoring Organization(s)
Special Session
Organizer Name
Boyda Johnstone; B. S. W. Barootes
Organizer Affiliation
Fordham Univ.; Univ. of Toronto
Presider Name
Boyda Johnstone
Paper Title 1
Charles d'Orléans's English Metrical Phonology
Presenter 1 Name
Eric Weiskott
Presenter 1 Affiliation
Boston College
Paper Title 2
Enclosure and Release: Structural Mourning in Fortunes Stabilnes
Presenter 2 Name
B. S. W. Barootes
Paper Title 3
Respondent
Presenter 3 Name
Ardis Butterfield
Presenter 3 Affiliation
Yale Univ.
Start Date
11-5-2018 10:00 AM
Session Location
Valley 3 Stinson 306
Description
Although he is one of the chief poetic innovators of the mid-fifteenth century in both English and French, Charles d’Orléans is too often a neglected figure: articles on his work remain few and far between; his poems are rarely anthologized; and most students, including many in graduate school, have never heard of him. An inheritor of Machaut, Froissart, and Christine de Pizan on one side of the Channel and of Chaucer, Gower, and Lydgate on the other, Charles spent twenty-five years in Lancastrian captivity cultivating a rich literary voice that incorporates and transforms the traditions of his homeland and those of English hosts. This session asks participants to consider the many genres and forms with which Charles engaged—how he perpetuated, altered, or synthesized them.
Boyda Johnstone
Charles d’Orléans: Forms and Genres
Valley 3 Stinson 306
Although he is one of the chief poetic innovators of the mid-fifteenth century in both English and French, Charles d’Orléans is too often a neglected figure: articles on his work remain few and far between; his poems are rarely anthologized; and most students, including many in graduate school, have never heard of him. An inheritor of Machaut, Froissart, and Christine de Pizan on one side of the Channel and of Chaucer, Gower, and Lydgate on the other, Charles spent twenty-five years in Lancastrian captivity cultivating a rich literary voice that incorporates and transforms the traditions of his homeland and those of English hosts. This session asks participants to consider the many genres and forms with which Charles engaged—how he perpetuated, altered, or synthesized them.
Boyda Johnstone