Unbound Iberia: The Uses of Manuscript and Print Material from Medieval and Early Modern Spain
Sponsoring Organization(s)
La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures
Organizer Name
Jonathan Burgoyne
Organizer Affiliation
Ohio State Univ.
Presider Name
Heather Bamford
Presider Affiliation
George Washington Univ.
Paper Title 1
On the Complutensian Polyglot Bible's Cultural Ambiguities
Presenter 1 Name
Erik Alder
Presenter 1 Affiliation
Brigham Young Univ.
Paper Title 2
From Bestselling Book to Confiscated Codex: Dichos de los siete sabios de Grecia in "Unbound Iberia"
Presenter 2 Name
Andrea Pauw
Presenter 2 Affiliation
Univ. of Virginia
Paper Title 3
Reading Medieval Polemics in Seventeenth-Century Tunis: Lilly Sp. Hist. Ms. 1628
Presenter 3 Name
Ryan Giles
Presenter 3 Affiliation
Indiana Univ.-Bloomington
Start Date
11-5-2019 1:30 PM
Session Location
Schneider 1355
Description
Modern histories of the book and literature inform our understanding of writing and reading as modes of creating and transmitting knowledge, but the myriad and often heterodox uses of manuscripts and print materials can disrupt our vertical thinking about reading, as well as our historical understanding of books and their audiences. This panel examines manuscript and printed objects from Iberia in ways that challenge our understanding of book history, authorship, readers, and the meaning of medieval and early modern literature by following the ways in which the written word, texts and books were broken off from their intellectual and hermeneutic underpinnings. Jonathan D. Burgoyne
Unbound Iberia: The Uses of Manuscript and Print Material from Medieval and Early Modern Spain
Schneider 1355
Modern histories of the book and literature inform our understanding of writing and reading as modes of creating and transmitting knowledge, but the myriad and often heterodox uses of manuscripts and print materials can disrupt our vertical thinking about reading, as well as our historical understanding of books and their audiences. This panel examines manuscript and printed objects from Iberia in ways that challenge our understanding of book history, authorship, readers, and the meaning of medieval and early modern literature by following the ways in which the written word, texts and books were broken off from their intellectual and hermeneutic underpinnings. Jonathan D. Burgoyne