Visual Rhetoric in the Works of the Pearl-Poet I: New Frontiers
Sponsoring Organization(s)
Pearl-Poet Society
Organizer Name
B. S. W. Barootes
Organizer Affiliation
Pontifical Institute of Mediaeval Studies
Presider Name
Denise A. Stodola
Presider Affiliation
Kettering Univ.
Paper Title 1
The Green Knight without the Green: Re-Investigating the Multispectral Illustrations of MS Cotton Nero A.x art. 3
Presenter 1 Name
Matthew R. Higgins
Presenter 1 Affiliation
Georgia State Univ.
Paper Title 2
Visible Thoughts: The Spontaneous Gesture and Imaging Identity in Pearl
Presenter 2 Name
Misho Ishikawa
Presenter 2 Affiliation
Univ. of California-Los Angeles
Paper Title 3
Peripheral Vision: Choreographing Description through Dance in Sir Gawain and the Green Knight
Presenter 3 Name
Clint Morrison Jr.
Presenter 3 Affiliation
Ohio State Univ.
Paper Title 4
Crashing by Dasein: Neurorhetoric Supplying the Vision for "Being There" at the Green Chapel
Presenter 4 Name
Scott D. Troyan
Presenter 4 Affiliation
Univ. of Wisconsin-Madison
Start Date
11-5-2019 10:00 AM
Session Location
Schneider 1160
Description
From the description of shining, jewelled New Jerusalem to the blazons of Sir Gawain and the Pearl-maiden to the Pearl-dreamer’s inability to ‘see’ clearly, the Gawain-poet reveals himself to be a writer who depends on visual metaphors, imagery, and motifs. Seeking to renovate earlier work by Sarah Stanbury (1991, 2007), Maidie Hilmo (2001), and Tony Davenport (2008), this session will explore the ways that the poet deploys motifs of sight and seeing to shape the meaning of his texts. Benjamin Barootes
Visual Rhetoric in the Works of the Pearl-Poet I: New Frontiers
Schneider 1160
From the description of shining, jewelled New Jerusalem to the blazons of Sir Gawain and the Pearl-maiden to the Pearl-dreamer’s inability to ‘see’ clearly, the Gawain-poet reveals himself to be a writer who depends on visual metaphors, imagery, and motifs. Seeking to renovate earlier work by Sarah Stanbury (1991, 2007), Maidie Hilmo (2001), and Tony Davenport (2008), this session will explore the ways that the poet deploys motifs of sight and seeing to shape the meaning of his texts. Benjamin Barootes