Icons of Sound
Sponsoring Organization(s)
Medieval Academy of America
Organizer Name
Bissera V. Pentcheva
Organizer Affiliation
Stanford Univ.
Presider Name
Isabelle Marchesin
Presider Affiliation
Institut national d'histoire de l'art
Paper Title 1
The Voice of Hagia Sophia: A Documentary Film
Presenter 1 Name
Doygu Eruçman
Presenter 1 Affiliation
Stanford Univ.
Paper Title 2
Echoes and Silences of Liturgy: The Romanesque Inscription Letare in Usson-du-Poitou (France)
Presenter 2 Name
Vincent Debiais
Presenter 2 Affiliation
École des Hautes Études en Sciences Sociales, Paris
Paper Title 3
Music and Architecture: Two Twelfth-Century Case Studies
Presenter 3 Name
Margot E. Fassler
Presenter 3 Affiliation
Univ. of Notre Dame
Start Date
10-5-2019 1:30 PM
Session Location
Sangren 1750
Description
Music and more specifically liturgical chant inflected the encounter with medieval visual art. But established art historical practice has rarely considered the two together. The rise of sound studies and the fact that several medieval projects have spear-headed this research direction now pave the way to explore how music and inscriptions performed in the liturgical spaces framed the way that visual programs were perceived and experienced. Alfred J. Andrea
Icons of Sound
Sangren 1750
Music and more specifically liturgical chant inflected the encounter with medieval visual art. But established art historical practice has rarely considered the two together. The rise of sound studies and the fact that several medieval projects have spear-headed this research direction now pave the way to explore how music and inscriptions performed in the liturgical spaces framed the way that visual programs were perceived and experienced. Alfred J. Andrea