Personal Piety and Devotional Inscriptions in Byzantium
Sponsoring Organization(s)
Dumbarton Oaks Research Library and Collection
Organizer Name
Jonathan Shea
Organizer Affiliation
Dumbarton Oaks Research Library and Collection
Presider Name
Lain Wilson
Presider Affiliation
Dumbarton Oaks Research Library and Collection
Paper Title 1
Pious After Death: Byzantine Donor Inscriptions in Cappadocia
Presenter 1 Name
Elizabeth Zanghi
Presenter 1 Affiliation
Univ. de Paris-Sorbonne
Paper Title 2
The Byzantine Signet Ring of John the Imperial Spatharios at the Metropolitan Museum of Art
Presenter 2 Name
Brad Hostetler
Presenter 2 Affiliation
Kenyon College
Paper Title 3
Piety and Manuscripts in the Byzantine Era: Piety's Role in Preparing, Copying, and Protecting a Valuable Codex
Presenter 3 Name
Elias Petrou
Presenter 3 Affiliation
Thesaurus Linguae Graecae, Univ. of California-Irvine
Paper Title 4
Arabic-Language Shrouds and Christian Piety in Fatimid Egypt
Presenter 4 Name
Arielle Winnik
Presenter 4 Affiliation
Bryn Mawr College
Start Date
10-5-2019 1:30 PM
Session Location
Bernhard 213
Description
In addition to written sources like letters, inscribed objects provide evidence for personal piety in monumental and miniature forms. The expressions of piety on these objects—including coins, seals, textiles, and reliquaries, as well as on architecture and art objects—inform patterns of individual and collective devotion. Used, worn, commissioned, and donated, these objects provide a window on the ways in which individuals at all social levels understood and presented their own piety. Although focusing on objects from Byzantium, this panel welcomes speakers working on materials from a comparative perspective. Nicole Eddy
Personal Piety and Devotional Inscriptions in Byzantium
Bernhard 213
In addition to written sources like letters, inscribed objects provide evidence for personal piety in monumental and miniature forms. The expressions of piety on these objects—including coins, seals, textiles, and reliquaries, as well as on architecture and art objects—inform patterns of individual and collective devotion. Used, worn, commissioned, and donated, these objects provide a window on the ways in which individuals at all social levels understood and presented their own piety. Although focusing on objects from Byzantium, this panel welcomes speakers working on materials from a comparative perspective. Nicole Eddy