Otto Bathurst's Robin Hood 2018 (A Roundtable)
Sponsoring Organization(s)
International Society for the Study of Medievalism
Organizer Name
Usha Vishnuvajjala
Organizer Affiliation
Tulane Univ.
Presider Name
Steven Bruso
Presider Affiliation
Endicott College
Paper Title 1
Discussant
Presenter 1 Name
Alexander L. Kaufman
Presenter 1 Affiliation
Ball State Univ.
Paper Title 2
Discussant
Presenter 2 Name
Austin A. Deray
Presenter 2 Affiliation
George Mason Univ.
Paper Title 3
Discussant
Presenter 3 Name
Lauryn S. Mayer
Presenter 3 Affiliation
Washington & Jefferson College
Paper Title 4
Discussant
Presenter 4 Name
Sabina Rahman
Presenter 4 Affiliation
Macquarie Univ.
Start Date
10-5-2019 1:30 PM
Session Location
Fetzer 2016
Description
This roundtable discussion will think through the various medievalisms and intertextualities present in Otto Bathhurst’s film Robin Hood, to be released in November 2018. The film continues some of the same features as Guy Ritchie’s recent King Arthur film—an outlaw masculinity that depends in part on self-deprecating humor, racial diversity, female characters framed by the filmmaker as “strong,” and the casting of actors who appear in other popular medievalist or neomedievalist films, such as Taron Edgerton of Kingsman: Secret Service fame. Speakers may consider topics such as the film’s intertextual relationship with other medievalist films, the relationship between its outlaw ethos and current political events, and its depiction of masculinity. Usha Vishnuvajjala
Otto Bathurst's Robin Hood 2018 (A Roundtable)
Fetzer 2016
This roundtable discussion will think through the various medievalisms and intertextualities present in Otto Bathhurst’s film Robin Hood, to be released in November 2018. The film continues some of the same features as Guy Ritchie’s recent King Arthur film—an outlaw masculinity that depends in part on self-deprecating humor, racial diversity, female characters framed by the filmmaker as “strong,” and the casting of actors who appear in other popular medievalist or neomedievalist films, such as Taron Edgerton of Kingsman: Secret Service fame. Speakers may consider topics such as the film’s intertextual relationship with other medievalist films, the relationship between its outlaw ethos and current political events, and its depiction of masculinity. Usha Vishnuvajjala