Protest and Complaint: The Piers Plowman Tradition in England and Beyond
Sponsoring Organization(s)
International Piers Plowman Society
Organizer Name
Michael Johnston
Organizer Affiliation
Purdue Univ.
Presider Name
Michael Johnston
Paper Title 1
Ironically Unforeseen Political Complaints in Piers Plowman's Prophecies
Presenter 1 Name
Kimberly Fonzo
Presenter 1 Affiliation
Univ. of Texas-San Antonio
Paper Title 2
The Piers Plowman Tradition, Reformist Style, and the New World
Presenter 2 Name
William Rhodes
Presenter 2 Affiliation
Univ. of Pittsburgh
Paper Title 3
Sores and Salves: Truth and the Body Poetic in Mum and the Sothsegger
Presenter 3 Name
Spencer Strub
Presenter 3 Affiliation
Harvard Univ.
Start Date
9-5-2019 1:30 PM
Session Location
Schneider 1325
Description
This session invites papers on the traditions that produced and were subsequently influenced by Piers Plowman, and that in turn influenced lollard and other writers. Piers Plowman drew on currents of political poetry, social protest, satire, prophecy, and complaint, not only in English, but also in the Latin and French traditions. Langland’s poem inspired subsequent religious and political writing that was strikingly adaptable and enduring, taken up by English reformists and political critics in the fifteenth century and well into the early modern period, in both manuscript and print. This panel seeks to represent new work in this tradition, on topics including (but not limited to) the genres of complaint; the portability of satire between languages and traditions; alliterative keywords; agrarian allegory; voicing and personification, etc. Michael Johnston
Protest and Complaint: The Piers Plowman Tradition in England and Beyond
Schneider 1325
This session invites papers on the traditions that produced and were subsequently influenced by Piers Plowman, and that in turn influenced lollard and other writers. Piers Plowman drew on currents of political poetry, social protest, satire, prophecy, and complaint, not only in English, but also in the Latin and French traditions. Langland’s poem inspired subsequent religious and political writing that was strikingly adaptable and enduring, taken up by English reformists and political critics in the fifteenth century and well into the early modern period, in both manuscript and print. This panel seeks to represent new work in this tradition, on topics including (but not limited to) the genres of complaint; the portability of satire between languages and traditions; alliterative keywords; agrarian allegory; voicing and personification, etc. Michael Johnston