Rosemary Woolf and The English Religious Lyric in the Middle Ages: Fiftieth Anniversary
Sponsoring Organization(s)
Special Session
Organizer Name
Ann E. Killian
Organizer Affiliation
Yale Univ.
Presider Name
Ann E. Killian
Paper Title 1
Proverb and Gender in the Lullay Lyrics: Reconsidering Woolf and the Secular/Religious Divide
Presenter 1 Name
Susanna Fein
Presenter 1 Affiliation
Kent State Univ.
Paper Title 2
Decoration and the Fifteenth-Century Lyric
Presenter 2 Name
Jessica Brantley
Presenter 2 Affiliation
Yale Univ.
Paper Title 3
The Passion Reimagined: Preaching and the Meditative Tradition
Presenter 3 Name
Holly Johnson
Presenter 3 Affiliation
Mississippi State Univ.
Paper Title 4
The Question of Value: Rosemary Woolf, "The Wounds and the Sins," and the New Lyric Studies
Presenter 4 Name
Joanna Murdoch
Presenter 4 Affiliation
Duke Univ.
Start Date
12-5-2019 10:30 AM
Session Location
Bernhard 210
Description
Published fifty years ago in 1968, Rosemary Woolf’s The English Religious Lyric in the Middle Ages remains foundational to the study of lyric poetry and devotional culture in late medieval England. Woolf’s monograph identifies the major themes of Middle English religious poetry – Christ’s Passion, Death, and the Virgin’s Joys – and charts their development from the thirteenth through the fifteenth century. Her main argument authoritatively surveys an entire poetic corpus. The appendices offer brief but profound insights on topics that have subsequently received sustained scholarly attention, including manuscripts, Richard Rolle, carols, and the pietà.
This panel invites reflections on the legacy of Woolf’s work. How has her account shaped subsequent conversations about the Middle English lyric? What aspects of her approach prove most fruitful or challenging to our thinking about this genre today? Ann E. Killian
Rosemary Woolf and The English Religious Lyric in the Middle Ages: Fiftieth Anniversary
Bernhard 210
Published fifty years ago in 1968, Rosemary Woolf’s The English Religious Lyric in the Middle Ages remains foundational to the study of lyric poetry and devotional culture in late medieval England. Woolf’s monograph identifies the major themes of Middle English religious poetry – Christ’s Passion, Death, and the Virgin’s Joys – and charts their development from the thirteenth through the fifteenth century. Her main argument authoritatively surveys an entire poetic corpus. The appendices offer brief but profound insights on topics that have subsequently received sustained scholarly attention, including manuscripts, Richard Rolle, carols, and the pietà.
This panel invites reflections on the legacy of Woolf’s work. How has her account shaped subsequent conversations about the Middle English lyric? What aspects of her approach prove most fruitful or challenging to our thinking about this genre today? Ann E. Killian