Research in Medieval and Early Modern Culture

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  English Birth Girdles: Devotions for Women in “Travell of Childe”

  Mary Morse

  In medieval England, women in labor wrapped birth girdles around their abdomens to protect themselves and their unborn children. These parchment or paper rolls replicated the “girdle relics” of the Virgin Mary and other saints loaned to queens and noblewomen, extending childbirth protection to women of all classes. This book examines the texts and images of nine English birth girdles produced between the reigns of Richard II and Henry VIII. Cultural artifacts of lay devotion within the birthing chamber, the birth girdles offered the solace and promise of faith to the parturient woman and her attendants amid religious dissent, political upheaval, recurring epidemics, and the onset of print.

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  Spiritual and Material Boundaries in Old French Verse: Contemplating the Walls of the Earthly Paradise

  Jacob Abell

  The Earthly Paradise was a vibrant symbol at the heart of medieval Christian geographies of the cosmos. As humanity’s primal home now lost through the sins of Adam of Eve, the Earthly Paradise figured prominently in Old French tales of lands beyond the mundane world. This study proposes a fresh look at the complex roles played by the Earthly Paradise in three medieval French poems: Marie de France’s The Purgatory of St. Patrick, Benedeit’s Voyage of Saint Brendan the Abbot, and Guillaume de Lorris’s The Romance of the Rose. By examining the literary, cultural, and artistic components that informed each poem, this book advances the thesis that the exterior walls of the Earthly Paradise served evolving purposes as contemplative objects that implicitly engaged complex notions of economic solidarity and idealized community. These visions of the Earthly Paradise stand to provide a striking contribution to a historically informed response to the contemporary legacies of colonialism and the international refugee crisis.

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  Canon Fanfiction: Reading, Writing, and Teaching with Adaptations of Premodern and Early Modern Literature

  Christine Schott

  For most of Western history, literary value came from retelling and reworking the literature of the past. This reinvention of source material is not unlike the process of writing fanfiction, a genre that has exploded in popularity among young adults in the internet age. It also bears a resemblance the work of literary scholars, who seek to respond, sometimes radically, to the difficult or problematic elements in texts they study. In a climate of increasing indifference toward literature and scholarship, creative writing provides novelists and students alike a powerful way to engage with literature of the past and confront the ethical issues 21st-century readers encounter in it. This book offers a study of novelizations based on Classical, medieval, and Renaissance literature and suggests ways in which such “literary fanfiction” can be harnessed in the classroom. By responding in kind to literature—as writers—students can continue to value literature of the past and revitalize its study for the future.

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  Mapping Narrations, Narrating Maps: Concepts of the World in the Middle Ages and the Early Modern Period

  Ingrid Baumgartner, Daniel Gneckow, Anna Hollenbach, and Phillip Landgrebe

  This volume offers the author's central articles on the medieval and early modern history of cartography for the first time in English translation. A first group of essays gives an overview of medieval cartography and illustrates the methods of cartographers. Another analyzes world maps and travel accounts in relation to mapped spaces. A third examines land surveying, cartographical practices of exploration and the production of Portolan atlases.

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  Humanism, Capitalism, and Rhetoric in Early Modern England: The Separation of the Citizen from the Self

  Lynette Hunter

  This book offers an interdisciplinary approach to concepts of the self associated with the development of humanism in England, and to strategies for both inclusion and exclusion in structuring the early modern nation state. It addresses writings about rhetoric and behavior from 1495-1660, beginning with Erasmus’ work on sermo or the conversational rhetoric between friends, which considers the reader as an ‘absent audience’, and following the transference of this stance to a politics whose broadening democratic constituency needed a legitimate structure for governance-at-a-distance.

  Unusually, the book brings together the impact on behavior of these new concepts about rhetoric, with the growth of the publishing industry, and the emergence of capitalism and of modern medicine. It explores the effects on the formation of the ‘subject’ and political legitimation of the early liberal nation state. It also lays new ground for scholarship concerned with what is left out of both selfhood and politics by that state, studying examples of a parallel development of the ‘self’ defined by friendship not only from educated male writers, but also from women writers and writers concerned with socially ‘middling’ and laboring people and the poor.

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  The Bond of Empathy in Medieval and Early Modern Literature

  David Strong

  This study examines the various means of becoming empathetic and using this knowledge to explain the epistemic import of the characters’ interaction in the works written by Chaucer, Shakespeare, and their contemporaries. By attuning oneself to another’s expressive phenomena, the empathizer acquires an inter- and intrapersonal knowledge that exposes the limitations of hyperbole, custom, or unbridled passion to explain the profundity of their bond. Understanding the substantive meaning of the characters’ discourse and narrative context discloses their motivations and how they view themselves. The aim of this book is to explore the place of empathy in select late medieval and early modern portrayals of the body and mind and explicate the role they play in forging an intimate rapport.

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  Dante's Dream: A Jungian Psychoanalytical Approach

  Gwenyth E. Hood

  An artist or mystic can refresh and revive a culture’s imagination by exploring his personal dream-images and connecting them to the past. Dante Alighieri presents his Divine Comedy as a dream-vision, investing considerable energy in establishing and alluding to its dates (starting Good Friday, 1300). Modern readers will therefore welcome a Jungian psychoanalytical approach, which can trace both instinctual and spiritual impulses in the human psyche.

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  Nineteenth- and Twentieth-Century Readings of the Medieval Orient: Other Encounters

  Liliana Sikorska

  Travel narratives and historical works shaped the perception of Muslims and the East in the Victorian and post-Victorian periods. Analyzing the discourses on Muslims which originated in the European Middle Ages, the first part of this book discusses the troubled legacy of the encounters between the East and the West and locates the nineteenth-century texts concerning the Saracens and their lands in the liminal space between history and fiction.

  Drawing on the nineteenth-century models, the second part of the book looks at fictional and non-fictional works of the late twentieth and early twenty-first century which re-established the “Oriental obsession,” stimulating dread and resentment, and even more strongly setting the Civilized West against the Barbaric East. Here medieval metaphorical enemies of Mankind – the World, the Flesh and the Devil – reappear in different contexts: the world of immigration, of white women desiring Muslim men, and the present-day "freedom fighters.

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  Chaucer's Polyphony: The Modern in Medieval Poetry

  Jonathan Fruoco

  Geoffrey Chaucer has long been considered by the critics as the father of English poetry. However, this notion not only tends to forget a huge part of the history of Anglo-Saxon literature but also to ignore the specificities of Chaucer’s style. Indeed, Chaucer’s decision to write in Middle English, in a time when the hegemony of Latin and Old French was undisputed (especially at the court of Edward III and Richard II), was consistent with an intellectual movement that was trying to give back to European vernaculars the prestige necessary to a genuine cultural production, which eventually led to the emergence of romance and of the modern novel. As a result, if Chaucer cannot be thought of as the father of English poetry, he is, however, the father of English prose and one of the main artisans of what Mikhail Bakhtin called the polyphonic novel.

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  The Shadow of Dante in French Renaissance Lyric: Scève's Délie

  Alison Baird Lovell

  This book presents an interpretation of Maurice Scève's lyric sequence Délie, object de plus haulte vertu (Lyon, 1544) in literary relation to the Vita nuova, Commedia, and other works of Dante Alighieri. Dante’s subtle influence on Scève is elucidated in depth for the first time, augmenting the evident allusions in Délie to the Canzoniere of Petrarch (Francesco Petrarca). Scève’s sequence of dense, epigrammatic dizains is considered to be an early example, prior to the Pléiade poets, of French Renaissance imitation of Petrarch's vernacular poetry, in a time when imitatio was an established literary practice, signifying the poet’s participation in a tradition. While the Canzoniere is a major source for Scève's Délie, both works are part of a poetic lineage that includes Occitan troubadours, Guinizzelli, Cavalcanti and Dante. The book situates Dante as an important predecessor and source for Scève, and examines anew the conventional Petrarchan label for Délie. Poetic affinities emerge between Dante and Scève that do not correlate with Petrarch.

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  Hysteria, Perversion, and Paranoia in The Canterbury Tales: "Wild" Analysis and the Symptomatic Storyteller

  Becky Renee McLaughlin

  Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer’s Canterbury Tales, for Chaucer’s tales are rife with issues of mastery and control that emerge as conflicts not only between authority and experience but also between power and knowledge, word and flesh, rule books and reason, man and woman, same and other—conflicts that erupt in a macabre sprawl of broken bones, dismembered bodies, cut throats, and decapitations. Like the macabre sprawl of conflict in the Canterbury Tales, this book brings together a number of conflicting modes of thinking and writing through the surprising and perhaps disconcerting use of autobiographical “shadow” chapters that speak to or against the four “central” chapters, creating both dialogue and interruption.

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  Sacred Journeys in the Counter-Reformation: Long-Distance Pilgrimage in Northwest Europe

  Elizabeth Caroline Tingle

  Sacred Journeys in the Counter-Reformation examines long-distance pilgrimages to ancient, international shrines in northwestern Europe in the two centuries after Luther. In this region in the sixteenth and seventeenth centuries, saints' cults and pilgrimage were frequently contested, more so than in the Mediterranean world. France, the Low Countries and the British Isles were places of disputation and hostility between Protestant and Catholic; sacred landscapes and journeys came under attack and in some regions, were outlawed by the state. Taking as case studies hugely popular medieval shrines such as Compostela, Rocamadour, the Mont Saint-Michel and Lough Derg, the impact of Protestant criticism and Catholic revival on shrines, pilgrims' motives and experiences is examined through life writings, devotional works and institutional records. The central focus is that of agency in religious change: what drove spiritual reform and what were its consequences for the 'ordinary' Catholic? This is explored through concepts of the religious self, holy materiality, and sacred space.

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  The World Chronicle of Guillaume de Nangis: A Manuscript's Journey from Saint-Denis to St. Pancras

  Daniel Williman and Karen Ann Corsano

  The heart of this book is the biography of a manuscript codex, British Library Royal MS 13 E IV: the Latin Chronicle (Creation to 1300) of Guillaume de Nangis, copied in the abbey library of St-Denis-en-France. This volume was used as evidence in the legal and political battles of the French royal family until it came into the treasure of Jean, duc de Berry. In 1416 it vanished from Paris and France. Modern British scholarship has placed it in the library of King Henry VIII, whose autograph notes appear in its margins. The authors show how it traveled from one capital to the other, narrating the entire life and interesting times of this codex. Another dimension of this study accounts for all twenty-two copies of the Chronicle, now scattered in nine cities from London to Vienna, by placing each one in a scrupulously drawn stemma codicum and sketching its history.

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  Early Modern Britain’s Relationship to Its Past: The Historiographical Fortunes of the Legends of Brute, Albina, and Scota

  Philip M. Robinson-Self

  This volume considers the reception in the early modern period of four popular medieval myths of nationhood—the legends of Brutus, Albina, and Scota—tracing their intertwined literary and historiographical afterlives. The book is particularly timely in its dialogue with current investigations into early modern historiography and the period's relationship to its past, its engagement with pressing issues in identity and gender studies, and its analysis of British national origin stories at a time when modern Britain is considering its own future as a nation.

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  Architectural Rhetoric in Shakespeare and Spenser

  Jennifer C. Vaught

  Jennifer C. Vaught illustrates how architectural rhetoric in Shakespeare and Spenser provides a bridge between the human body and mind and the nonhuman world of stone and timber. The recurring figure of the body as a besieged castle in Shakespeare’s drama and Spenser’s allegory reveals that their works are mutually based on medieval architectural allegories exemplified by the morality play The Castle of Perseverance. Intertextual and analogous connections between the generically hybrid works of Shakespeare and Spenser demonstrate how they conceived of individuals not in isolation from the physical environment but in profound relation to it. This book approaches the interlacing of identity and place in terms of ecocriticism, posthumanism, cognitive theory, and Cicero’s art of memory. Architectural Rhetoric in Shakespeare and Spenser examines figures of the permeable body as a fortified, yet vulnerable structure in Shakespeare’s comedies, histories, tragedies, romances, and sonnets and in Spenser’s Faerie Queene and Complaints.

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  Spenser’s Narrative Figuration of Women in The Faerie Queene

  Judith H. Anderson

  Concentrating on major figures of women in The Faerie Queene, together with the figures constellated around them, Anderson's Narrative Figuration explores the contribution of Spenser's epic romance to an appreciation of women's plights and possibilities in the age of Elizabeth. The figures she highlights encompass the idealization of Una, humanized by parody; the historicized fixation of Belphoebe; the cross-dressed complexity of Britomart; and the psychological misery of Serena, a throwback to Amoret. They range from cartoons to a fullness sharing numerous features with the Shakespearean women salient in recent debates about character. The critical lens most revealing for each important figure is markedly different, even while their interwoven experiences resonate and intersect across this culturally encyclopedic poem. Taken together, their stories have a meaningful tale to tell about the function of narrative, which proves central to figuration in the still moving, metamorphic poem that Spenser created.

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  The Gawain-Poet and the Fourteenth-Century English Anticlerical Tradition

  Ethan Campbell

  In this fresh reading of the Gawain-poet's Middle English works (Cleanness, Patience, Pearl, and Sir Gawain and the Green Knight), Ethan Campbell argues that a central feature of their moral rhetoric is anticlerical critique. Written in an era when clerical corruption was a key concern for polemicists such as Richard FitzRalph and John Wyclif, as well as satirical poets such as John Gower, William Langland, and Geoffrey Chaucer, the Gawain poems feature an explicit attack on hypocritical priests in the opening lines of Cleanness as well as more subtle critiques embedded within depictions of flawed priest-like characters like the biblical prophet Jonah and the Green Knight, who grants a problematic absolution to Sir Gawain. Through a close reading of each poem with an eye toward congruencies with the poet's contemporaries, Campbell situates the Gawain-poet's works within the rich and varied textual environment of fourteenth-century English anticlericalism.

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  The Valiant Welshman, the Scottish James, and the Formation of Great Britain

  Megan Lloyd

  When James VI of Scotland and I of England proclaimed himself King of Great Britain, he proposed a merger of the English and Scottish parliaments, and he looked to Henry VIII’s Acts of Union of England and Wales (1536/43) as an example for English Scottish union under one king. On the London stage after 1603 many plays paid tribute to the new king and provided a predominantly English audience a means of accepting the not so palatable ideas of Scottish power, assimilation and unity. The Valiant Welshman is distinctive among these works, as no other extant early modern English drama features a Welsh leading character. The challenges of reconciling distinct national identity with larger political unity are timeless issues with a strong resonance today. This book considers national, regional and linguistic identity and explores how R.A.'s play promotes Wales, serves King James and reveals what it means to be Welsh and Scots in a newly forming "Great Britain."

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  Shakespeare, Antony and Cleopatra, and the Nature of Fame

  Robert A. Logan

  Shakespeare, Antony and Cleopatra, and the Nature of Fame is a characterological study, presenting new perspectives on Antony and Cleopatra, the most ambiguous of Shakespeare's plays. It offers fresh insights into Shakespeare's understanding of the attributes of fame, the process by which it occurs, and the significance of being famous—and into the origins and nature of the playwright's own imperishable fame. Inclusive and enlarging, the study considers a fresh method of dealing with the longstanding difficulties theater-goers and readers have had in responding to the characters of Shakespeare's plays, the seventeenth-century contexts of the play that the playwright both regarded and disregarded, and a close examination of the dramatis personae of Antony and Cleopatra as they struggle to achieve standards of measure that will redound to their fame. Wide-ranging in its concerns, this monograph promises to make an essential difference in the way scholars view characterizations, Shakespeare's understanding of fame, the eminence of the celebrated figures of the play, and the playwright's own reputation.

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  Medieval London: Collected Papers of Caroline M. Barron

  Caroline Barron, Martha Carlin, and Joel T. Rosenthal

  Caroline M. Barron is the world's leading authority on the history of medieval London. For half a century she has investigated London's role as medieval England's political, cultural, and commercial capital, together with the urban landscape and the social, occupational, and religious cultures that shaped the lives of its inhabitants. This collection of eighteen papers focuses on four themes: crown and city; parish, church, and religious culture; the people of medieval London; and the city's intellectual and cultural world. They represent essential reading on the history of one of the world's greatest cities by its foremost scholar.

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  The Disperata, from Medieval Italy to Renaissance France

  Gabriella Scarlatta

  Rich with morose invectives, the Italian lyric genre of the disperata builds toward a crescendo of despair, with the speakers damning and condemning their beloved, their enemy, their destiny, Fortune, Love, and often themselves. Although Petrarch and Petrarchism have been amply analyzed as fertile sources for late Renaissance poets in France, the influence of the Italian disperata in this context has yet to receive proper scholarly attention. This study explores how the language and themes of the disperata - including hopelessness, death, suicide, doomed love, collective trauma, and damnations - are creatively adopted by several generations of poets from its beginning in the Northernand Southern Italian courts, to France, at the court of the late Valois, where the disperata found great success as a prolific source of imitation.

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  Demon Possession in Anglo-Saxon England

  Peter Dendle

  Anglo-Saxon England was a society governed by the competing discourses of illness, spirituality, power, and community. The concepts of demon possession and exorcism, introduced by Christian missionaries, provided a potential outlet for expressing the psychological, biological, and sociopolitical dysfunctions of a society that was at the center of multiple conflicting cultural dimensions.

  Demon Possession in Anglo-Saxon England is a reexamination of the available sources describing the possessed and a study of the currently recognized medical and psychiatric conditions that may be relevant to and resemble medieval possession.

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  A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature

  Robert A. Taylor

  Although it seemed in the mid-1970s that the study of the troubadours and of Occitan literature had reached a sort of zenith, it has since become apparent that this moment was merely a plateau from which an intensive renewal was being launched. In this new bibliographic guide to Occitan and troubadour literature, Robert Taylor provides a definitive survey of the field of Occitan literary studies - from the earliest enigmatic texts to the fifteenth-century works of Occitano-Catalan poet Jordi de Sant Jordi - and treats over two thousand recent books and articles with full annotations. Taylor includes articles on related topics such as practical approaches to the language of the troubadours and the musicology of select troubadour songs, as well as articles situated within sociology, religious history, critical methodology, and psychoanalytical analysis. Each listing offers descriptive comments on the scholarly contribution of each source to Occitan literature, with remarks on striking or controversial content, and numerous cross-references that identify complementary studies and differing opinions. Taylor's painstaking attention to detail and broad knowledge of the field ensure that this guide will become the essential source for Occitan literary studies worldwide.