Document Type
Monograph
Description
This book addresses the status and relevance of iconography and iconology in the contemporary scholarly study of medieval art. There is a widespread tendency among art historians today to regard the study of iconography and iconology in the tradition of Erwin Panofsky as an outmoded and trivial pursuit. Nonetheless, Panofsky’s three-level interpretative model sits firmly in the methodological toolkit of art history, and remains a common point of reference among adherents and adversaries alike. Iconography and iconology demands to be taken seriously as a feature of continued praxis in the discipline. The book contains a collection of essays on the validity of various approaches toward the interpretation of meaning in medieval art today. They aim to either demonstrate the continued usefulness of iconography and iconology as analytical strategies, or propose alternative approaches to the investigation of meaning in the art of the Middle Ages.
Publication Date
1-15-2019
Publisher
Medieval Institute Publications
City
Kalamazoo
ISBN
9781580443432
Keywords
Iconography; iconology; interpretation; meaning; medieval art
Disciplines
Ancient, Medieval, Renaissance and Baroque Art and Architecture | Medieval Studies
Citation for Published Book
Liepe, Lena. The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages
![The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages](https://scholarworks.wmich.edu/mip_sitv/1001/thumbnail.jpg)
Included in
Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Medieval Studies Commons
Comments
This page displays the metadata for this volume. Only the front matter and table of contents are available for download. For more information or to buy the book, please follow the “Buy this book” link above.
Additional formats available:
E-book (PDF): 9781580443449